I made a mistake a couple of weeks back of buying a friend the DVD of 'Twilight: Eclipse' (2010). She had enjoyed the previous two movies and watched them more than once on DVD. As the gift-giver, on the day of her birthday I was invited to come and watch the movie, which I had not seen, with her. I like contemporary vampire movies and have seen 'Blade' (1998) and 'Underworld' (2003) on numerous occasions. I had reasonably enjoyed the first two instalments of the 'Twilight' movie series: 'Twilight' (2008) and 'Twilight: New Moon' (2009). I found the setting in the North-West of the USA a suitable one, and the tension between the werewolves and vampires seemed interesting. Of course, the sexual/relationship tension of the late-teenaged heroine Bella choosing cerebral vampire Edward but still feeling affection for more muscular werewolf Jacob was sufficiently engaging. Both of these earlier movies tempered the teenage romance angst with genuine action first against renegade vampires and then interacting with the Volturi, a powerful organisation of vampires based in Italy. Interestingly, Martin Sheen who plays a werewolf fighting vampires in 'Underworld' and 'Underworld: Rise of the Lycans' (2008) appears as an elder vampire in 'Twilight: New Moon' of the same year.
Having seen 'Twilight: Eclipse' billed as 'the best Twilight movie yet', I had high hopes that it would build on the strengths of the previous two movies and provide new step. However, I give nothing away if I reveal that it adds nothing to what had been explored in the previous movies of the series. I know that the novels by Stephenie Meyer (published 2005-8) stretch the story of the romance between Bella and Edward over four novels, but that is probably far too long for a movie. In 'Twilight: Eclipse' all you have is continuing prevarication from Bella about turning into a vampire and ire from Jacob who believes she should be with him rather than with Edward. The tension between Jacob and Edward and Bella wanting to remain with Edward and yet not wanting to harm Jacob's feelings simply rehashes what happened in 'Twilight: New Moon'. The main opponent Victoria, who appeared in 'Twilight' assembles a powerful army of new vampires but this element is neglected in favour of repetitive sullen behaviour from the three main protagonists.
References to other incidents such as the rise of a powerful vampire army at the time of the American Civil War are skirted over. I know Bella is the heroine, but with these apparently large threats to humanity and the vampire community going on, you would think she could lift her gaze from her own angst over fancying two young men, for even just a short time, to look at something else. Sympathy for Bella is beginning to wear thin. Even the woman I bought the DVD for, who is not a teenager, but certainly is very much a Jane Austen fan so into stretched out romance punctuated with minor 'crises', was tiring of it all by the end of the movie which runs for 2 hours 4 minutes meaning you see far too much of drippy teenagers moping around a rainy landscape. There was enough of this in the second movie; cutting this one to 93 minutes would have improved it immensely and restored much of the tension felt in the first movie.
I know Meyer is a devout Mormon who is married and has three children; her husband who she married when they were both 21, has given up work to look after the children since his wife's career took off. Meyer wrote the novels at a time when George W. Bush was in power and not only advocating abstinence as the only form of contraception for unmarried couples, but also pouring federal funds into the teaching of this approach in schools. Unsurprisingly teenage pregnancies are the highest in the USA of all industrial states. I can only find figures for 1996 when the rate was 55.6 births per 1000 women under the age of 20 compared to 29.6 in the UK, 13 in Germany, 9.4 in France and 6.6 in Italy. In the USA 80% of teenage pregnancies were unintended and of these 50% were from women not using contraceptives. I have no problem with people having religious messages in their movies. I have watched many of the movies of Christ's life and others with explicit or implicit religious themes from 'The Nun's Story' (1959) to 'Minority Report' (2002). However, perhaps it was because I found 'Twilight: Eclipse' so dull that these elements jarred most strongly with me when watching it.
I accept that Edward Cullen is supposed to be 104 years old and brought up during the Victorian period, or in fact an idealised version of the Victorian period. As Ian Hislop's very engaging series 'The Age of the Do-Gooders' currently running on UK television has demonstrated, one reason why so many Victorians had to be active in combating vice was because so much of it was happening. Cullen reflects a 20th century view of the Victorian era rather than the context in which Sherlock Holmes was operating, which though fictional, shows us a great deal of Victorian society. Consequently, when Bella proposes to have sex with Edward he refuses insisting they would only do it after they were married. He proposes to the 18-year old Bella, who rightly, even in the movie, feels she is rather being blackmailed into it. Edward wants to turn her into a vampire before they are married and only have sex after they are. I know the USA has movements like the Silver Ring Thing which gets young people to make a commitment to abstinence until married, but even their website claims only 465,000 people have attended their events and 161,400 have made the commitment. This is compared to around 74 million people under the age of 18 living in the USA. The other thing is, Bella agrees to marry and even back in Shakespeare's 'Much Ado About Nothing' (1598) the priest marrying a couple acknowledges that they are likely to have already had sex. This was at a time far more religious than our own.
I would not be surprised if Bella would not be suspicious of Edward. She has accepted that he is a vampire, but certainly in many stories, vampires are infertile and in some are unable to even have erections, being, in theory, 'dead'. If the Bella and Edward are engaged, they need to discuss their future together and one thing they definitely do not talk about is sex and children. Any couple needs to have such conversations before their relationship develops certainly to the stage of marriage. However, in the movie reflecting the novels, this is indefinitely postponed. In the fourth novel, Bella finally marries Edward and gets pregnant by him while still a human. This, again, reflects Bushite views of sex; i.e. that a married woman's role is to produce children. One minute before the marriage ceremony she must not have sex, one minute after she must be getting pregnant. Viewers of the movie certainly can feel that Bella has been locked into a kind of production line, with no reference to her own pleasure, just simply to what is 'right'. Free will, certainly from the woman's perspective seems to have gone out of the window. This is ironic given Meyer's own history. I accept that she was a young wife and mother, but now her husband is the main child-rearer and her wealth has allowed her choices in her own life she seems to deny her heroine.
The other thing that is missing is the fact that teenagers get incredibly aroused and a lot of sex just happens in the heat of the moment. Letting your passions run away with you is frowned upon in the movie with reference both in 'Twilight: New Moon' and 'Twilight: Eclipse' to a werewolf who turned and injured his human partner, scarring her for life. This is why Bella could never be with the werewolves as they are the analogy for unbridled human passion and the vampires, are, in fact there to represent humans in clinical control of their emotions and consequently lacking in passion and if not quite 'dead' then at least 'cold fish'. I know this is a movie series which features fantastical creatures, werewolves and vampires, but its credibility breaks down, when Bella begins to undress for sex and simply because Edward says, not overly forcefully, that they must wait until marriage, she stops and accepts it. This suggests she feels no passion for Edward at all and the sex would have simply have been going through the emotions. This presents a very artificial view of sex to the audience and seems to suggest that love and passion are divorced from each other, and, in fact, implies that true love is only true when passion is absent from it. It is ironic to compare such an attitude with movies of an era people like Meyer might look back to. Compare this to 'Casablanca' (1942) which with no explicit reference to sex, shows how loyalty, love and passion are all vital ingredients for relationships which can endure the harshest environments. Whilst Ilsa goes off with Victor, Rick and Ilsa still have the passion of Paris to warm their lives.
Overall, not only does 'Twilight: Eclipse' provide nothing new for the series, it presents a very cold portrayal of love and relationships, not really driven by feelings, rather following very stringent regulations that fixes the woman into a lifestyle that has very little to do with her own happiness and is shaped purely by the men in her life. It shows an unrealistic portrayal of the passion in an intimate relationship and the challenges there in handling that. Meyer said she wanted to keep sex out of her novels, but in fact, by showing it in this distorted way, which does not reflect how real teenagers even in the past behaved, let alone today, distorts the expectations and behaviour of her core audience. Many teenager will find it immensely harder to behave like Edward and Bella and simply switch off arousal because they have been told to do so. That will damage relationships not only in the teenage years but beyond and the USA does not need any more damage to relationships than it already has.
Showing posts with label 'Twilight'. Show all posts
Showing posts with label 'Twilight'. Show all posts
Wednesday, 22 December 2010
Sunday, 13 January 2008
How do you Kill a Vampire in the 21st Century?
This is a bit of a continuation of the previous posting and covers some thoughts about the changing aesthetic of the portrayal of vampires in media. I feel that I should be addressing more serious content, but I have to confess that I am exhausted. I have been in bed by 20.00 all this week and yet the return to work has been much more of a burden than I had anticipated and is really taking a physical toll on me. Consequently despite having lots of ideas for posts I am really lacking the mental energy to articulate them properly and the physical energy to stay up and type them into the blog. This is a pity as having steamed ahead with many of my writing projects over the Christmas period I had hoped to be able to continue that momentum now, but I suppose that is the price one pays for getting old.
So, today's posting is nothing very erudite, but when I was thinking about how the fashions associated with vampires had changed, reflecting shifts and interests within contemporary society, I also thought about how vampires are shown to be destroyed in movies, books and games has changed too. Partly this is because vampires since the 1990s have shifted from purely horror movies really into the action genre and consequently there is a desire to be able to blast away at them with excessive amounts of ammunition and yet ultimately be able to kill them. Even when guns are not used, as in the 'Buffy the Vampire Slayer' series (1997-2003), there is much more martial arts involved before Buffy can shove her stake into the vampire's heart. In addition, typically the vampire dissolves very quickly into dust rather than dying slowly and in a way that they can be resurrected for the next movie.
The ability to resurrect a seemingly destroyed vampire is an interesting one. In movies in which the stake simply keeps the vampire dead, of course, it can be later removed and the vampire can come back to 'life'. I am trying to think of a movie in which I have seen this happen. These days vampires usually dissolve dramatically into a shower of blood or ash. Interestingly in 'Ultraviolet' this ash is collected up and then stored in a chilled repository. However, in the final episode the dust of a vampire (played by Stephen Moyer who apparently plays the lead vampire in 'True Blood') is brought back into existence by pouring the blood of another vampire on him. What is fascinating is that his clothes are perfectly restored too, probably a good thing as he is on a bridge in London at the time and runs off into the streets.
In recent tradition, vampires are killed by exposure to sunlight or having a stake driven through their hearts. In addition if their 'sire', the vampire who made them a vampire is killed, they may die or return to being a human. This is what happens at the end of 'The Lost Boys' (1987) when the grandfather literally drives a vast stake into the chief vampire. Destroying the coffin in which the vampire is supposed to sleep (and often contains earth from where they were conceived) is another way. Vampires are generally thought to be able to be burned by fire and also die if they have their heads chopped off. They also suffer damage from having holy water thrown over them and are repelled by crucifixes and by garlic. The probable reason for garlic being a factor is that it is good for improving people's blood circulation and there is an association between vampires and coagulating blood. Flowing water can either repel or damage a vampire depending on the story.
To some degree the shift in killing them comes from a move from the portrayal of vampirism as something spiritually evil or inherent in a vampire to something more like a disease that potentially anyone can catch. There are some exceptions to this. In 'Dance of the Vampires' (1967; known as 'The Fearless Vampire Killers' in the USA) there is a Jewish vampire not repelled by a crucifix.
The long-running UK science fiction series, 'Doctor Who' has had a couple of vampire stories. In November 1980 there was the 4-part 'State of Decay', with Tom Baker as the Doctor, in which there are ordinary vampires and Great Vampires, an alien race from E-Space. Once the last Great Vampire has a spaceship rammed through his heart all the others die. However, a more interesting twist came in the series in 1988 in 'The Curse of Fenric' which features alien 'haemovores' (literally blood eaters) in North-East England in 1943. The so-called Ancient Haemovores come from Earth's future when the planet has been wrecked by pollution. They transform humans into standard haemovores. In contrast to other vampires they can operate during daylight (or certainly as grey as the light is in Northumberland) but they are immune to bullets. However, they are not immune to faith, but not necessarily just Christian faith and a Soviet soldier who is one of a number at the base where the haemovores appears, manages to destroy one through his faith in Soviet Communism and the Doctor himself uses his faith in his past companions to do likewise; the vicar like the priest in 'From Dusk to Dawn' is impotent because he has lost his faith, in this story because of the inhumanity of the war. So, there are occasionally slightly different methods, but even the newest of these is now 20 years old and pre-dates the growth of Matrix-influenced vampire movies.
Stakes through the heart still seem to work, though in 'Lifeforce' (1985) and another movie I saw that I cannot remember the name of, it is the solar plexus, which many people, such as those who study tai-chi see as the source of human energy, that has to be the target for it to work. Possibly this is because vampires are supposed to have no pulse so there is doubt whether their hearts would be working.
So, what other ways are vampires killed in modern day stories? Many in 'Buffy the Vampire Slayer' seem able to knock away crucifixes even if they burn them, suggesting only a very large one would do them serious harm. Many even run around in daylight, simply smoking as they are exposed and able to deflect that by covering themselves in blankets, though sustained exposure will kill them. The most extreme example of this is in 'The League of Extraordinary Gentlemen' (2003) movie in which Mina Harker a vampire, is shown standing in brilliant sunlight sunning herself on the deck of the 'Nautilus'. We never find out what can kill her, she seems to be very powerful, leaping up buildings and turning into a flock of bats when running around Venice.
The issue of immunity to sunlight same seems to apply to some extent in 'Underworld' (2003) though in the unnamed East European city it is set in (one guesses it is Hungarian) there rarely seems to be much daylight anyway. Instead, the werewolves against whom the vampires battle fire bullets containing ultra-violet light sources in them which is like sunlight exposure from the inside out. Artificial light sources are used in 'Blade II' (2002) and in a steampunk way in 19th-century set 'Van Helsing' (2004) (which, to balance back the other way, also permits holy water to harm vampires).
The nature of bullets which harm vampires is an interesting point. Generally the standard lead ones inflict no damage. Interestingly in the UK television series 'Ultraviolet' (1998, not to be confused with recent movies and games) saw the unit opposing vampires firing carbon bullets (there is a mention of wooden bullets being used previously). The sense here is that carbon is the basis of organic chemistry; organic effectively implying 'life' and so life as opposed to death or undeath of vampires. In addition, in fact, a wooden stake really is just a big carbon-based bullet. More controversial is in the 'Blade' series in which it is silver which is said to harm vampires. Everyone knows it is werewolves that are harmed by silver (its similarity in appearance to the Moon); though in 'Underworld' it simply burns and stops the transformation of werewolves. Consequently, the vampires have to use silver nitrate, a form of silver that is liquid at room temperature which kills the werewolves by harming their blood circulation.
Given the connection with blood and perception of vampirism as a disease, there are medical approaches to quelling it. In 'Bram Stoker's Dracula' (1992) and 'Blade', characters see through the microscope how the balance of red and white blood cells change in vampires making them need blood to survive. In 'Near Dark' (1987) two characters are cured from being vampires by blood transfusions and in 'Blade' the hero is supplied with an intense anti-coagulant which causes vampires to expand in seconds and burst dramatically. In fact, you would think it would be the reverse and something that stopped blood flow would harm them more. However, the vampires simply kind of suffocating would be less visually dramatic than their bloody explosions.
Water, bar in the game 'BloodRayne' recently mentioned here, no longer seems to do any damage. Though in some traditions vampires cannot pass flowing water let alone go into it. However, in narrative terms this restricts them even further than sunlight, not allowing them out of the average Romanian village. In 'From Dusk til Dawn', holy water works when the priest recovers his faith which he does supririsingly easily. It shows why (holy) water is less popular as a weapon against vampires in movies as I guess it would remove the drama if we saw vampires being levelled by people with water pistols, power showers and hosepipes. A lot of action movies need the hero to act with ingenuity and anything too simple would undermine that.
As noted above, the villain has to be destroyable, but not too easily. It is interesting in 'Buffy the Vampire Slayer', when Dracula appeared, he proved to be basically indestructable and it was only through the heroine showing him how tiresome it would be for him to keep rematerialising and being killed again and again that he effectively gave up. Vampires are renowned for taking many forms, usually bats of different sizes, sometimes wolves and occasionally as clouds, but that does through up the issue of what happens if when in that form someone simply sucked them into a vacuum cleaner or dispersed them with a fan or something; probably why that form of manifestation is no longer common.
Another issue is reflections. Again, this partly stems for vampires being seen as effectively dead and so deemed not to have reflections. There is a great scene in 'Van Helsing' in which the heroine sees in a mirror that she is the only human in the crowded ballroom. Other movies do not worry so much about this aspect as it does seem a bit strange that somehow plain glass reacts differently to the light bouncing off vampires compared to that coming off humans, animals and in fact almost everything in the world. Maybe the suggestion is that the vampires absorb the light. In the UK children's televisions series, 'Young Dracula' (2007-2008), Dracula can only see his own reflection when he is actually inhabiting the body of Van Helsing. The most extreme example of no reflections is in the 'Ultraviolet' series. In it vampires cannot even be captured by audio or video recording devices meaning they are invisible to cameras and have to use artificially created voices when they want to telephone people.
It is interesting to see the different rules which apply to vampires in current media and how vampires are becoming more robust, with fewer weaknesses than they once would have had. This reflects the desire of writers to have strong opponents and ones who can stray much farther afield than down from the castle to the local village. I am sure there will be many more twists and re-interpretations in the coming years. I recognise I have only seen a fraction of the relevant movies and very few books, so it would be great to know other different examples of how to kill vampires that you have seen.
P.P. 04/10/2009
With the unending supply of vampire series appearing there seems to be weekly new examples of how vampires can be killed or not. Not having much time or the patience for reading these my input is mainly from television and movies. 'Twilight' (2008) shows vampires sweating in a gleaming crystalline way when standing in bright sunlight, but not burning up. In fact the 'Twilight' the vampires are probably the hardest to kill of all of these movies and series, as, to destroy them both in the book and the movie, you have to rip them 'to shreds' and burn the pieces because otherwise these pieces can reassemble.
Having re-watched 'Bram Stoker's Dracula' (1992) recently I was reminded that even the original Dracula was immune to daylight, though he was weakened. I remind the woman in my house of this when she complains that vampires should burn up rapidly in daylight as they sometimes do in 'Blade' and certainly in 'Ultraviolet'. This point is questioned even on the IMDB entry for the 1992 movie, but as that was very close to the original novel, it seems what Bram Stoker intended and certainly overcomes the difficulties of writing vampires to be so vulnerable.
I have started watching 'Moonlight' (2007-8) series which, despite the title, is about vampires rather than werewolves. It is interesting to note it stars Sophia Myles who played vampire Erika in 'Underworld' (2003), but this time as a human, Beth Turner, a television reporter. She teams up with vampire private detective, Mick St. John. In this series vampires can walk in daylight (if wearing sunglasses) but bright sunlight weakens them steadily. Silver simply paralyses them rather than kills them. I have not seen many episodes but generally the only way to kill vampires is to behead them or blow them up. Interestingly in this series, vampires images could not be captured by traditional celluloid photography but can be caught by digital photography which is a variation on the rules in 'Ultraviolet', though when that series was produced digital photography had not yet become common.
I watched the entire series of 'Blood Ties' (2007; series 2 about to be released on DVD) which is set in Canada rather than the USA. In some ways the set up is similar to 'Moonlight', though in this the heroine Vicki Nelson is the private detective and Henry Fitzoy, (Duke of Richmond and illegitimate son of King Henry VIII) is a vampire graphic novelist who assists her. In this story vampires are 'dead' during daylight hours and will burn up if exposed to sunlight. There is also a device called an 'Iluminación del Sol' (Illumination of the Sun) which is a flat circular metal object from which extend claws that dig into a vampire, weaken them and allow them to be controlled by whoever put the device on them. In this series most of those who are killed are other creatures from different mythologies as diverse as Amerindian and Greek, so we see a variety of ways of killing these creatures rather than vampires.
The acclaimed series 'True Blood' has come to the UK on a pretty obscure channel that I cannot receive but is due to move on to Channel 4 which I can get. As yet I do not know what vampires can be killed with in this series, so I will check back here with a discussion of it when I know.
P.P. 04/06/2011
I have now watched three series of 'True Blood'. There are a couple of interesting ways to harm/kill vampires in the story. Silver burns and in sufficient quantities paralyses vampires without killing them. At one stage a vampire is threatened with being locked in a silver coffin for five years as punishment for killing another vampire. The prime way to kill vampires is to ram a wooden stake through their hearts at which stage they inconveniently turn into sticky strands of blood occupying as much space as their bodies did rather than the easier to clean up dust of 'Buffy the Vampire Slayer'. The vampires are harmed by sunlight which steadily burns them though does not kill them instantly. In both the first and the third series various vampires are out in the sunlight being burnt but are able to recover after a good meal of blood. In the first series a small group of vampires are destroyed by fire when the house they are sleeping in is torched.
So, today's posting is nothing very erudite, but when I was thinking about how the fashions associated with vampires had changed, reflecting shifts and interests within contemporary society, I also thought about how vampires are shown to be destroyed in movies, books and games has changed too. Partly this is because vampires since the 1990s have shifted from purely horror movies really into the action genre and consequently there is a desire to be able to blast away at them with excessive amounts of ammunition and yet ultimately be able to kill them. Even when guns are not used, as in the 'Buffy the Vampire Slayer' series (1997-2003), there is much more martial arts involved before Buffy can shove her stake into the vampire's heart. In addition, typically the vampire dissolves very quickly into dust rather than dying slowly and in a way that they can be resurrected for the next movie.
The ability to resurrect a seemingly destroyed vampire is an interesting one. In movies in which the stake simply keeps the vampire dead, of course, it can be later removed and the vampire can come back to 'life'. I am trying to think of a movie in which I have seen this happen. These days vampires usually dissolve dramatically into a shower of blood or ash. Interestingly in 'Ultraviolet' this ash is collected up and then stored in a chilled repository. However, in the final episode the dust of a vampire (played by Stephen Moyer who apparently plays the lead vampire in 'True Blood') is brought back into existence by pouring the blood of another vampire on him. What is fascinating is that his clothes are perfectly restored too, probably a good thing as he is on a bridge in London at the time and runs off into the streets.
In recent tradition, vampires are killed by exposure to sunlight or having a stake driven through their hearts. In addition if their 'sire', the vampire who made them a vampire is killed, they may die or return to being a human. This is what happens at the end of 'The Lost Boys' (1987) when the grandfather literally drives a vast stake into the chief vampire. Destroying the coffin in which the vampire is supposed to sleep (and often contains earth from where they were conceived) is another way. Vampires are generally thought to be able to be burned by fire and also die if they have their heads chopped off. They also suffer damage from having holy water thrown over them and are repelled by crucifixes and by garlic. The probable reason for garlic being a factor is that it is good for improving people's blood circulation and there is an association between vampires and coagulating blood. Flowing water can either repel or damage a vampire depending on the story.
To some degree the shift in killing them comes from a move from the portrayal of vampirism as something spiritually evil or inherent in a vampire to something more like a disease that potentially anyone can catch. There are some exceptions to this. In 'Dance of the Vampires' (1967; known as 'The Fearless Vampire Killers' in the USA) there is a Jewish vampire not repelled by a crucifix.
The long-running UK science fiction series, 'Doctor Who' has had a couple of vampire stories. In November 1980 there was the 4-part 'State of Decay', with Tom Baker as the Doctor, in which there are ordinary vampires and Great Vampires, an alien race from E-Space. Once the last Great Vampire has a spaceship rammed through his heart all the others die. However, a more interesting twist came in the series in 1988 in 'The Curse of Fenric' which features alien 'haemovores' (literally blood eaters) in North-East England in 1943. The so-called Ancient Haemovores come from Earth's future when the planet has been wrecked by pollution. They transform humans into standard haemovores. In contrast to other vampires they can operate during daylight (or certainly as grey as the light is in Northumberland) but they are immune to bullets. However, they are not immune to faith, but not necessarily just Christian faith and a Soviet soldier who is one of a number at the base where the haemovores appears, manages to destroy one through his faith in Soviet Communism and the Doctor himself uses his faith in his past companions to do likewise; the vicar like the priest in 'From Dusk to Dawn' is impotent because he has lost his faith, in this story because of the inhumanity of the war. So, there are occasionally slightly different methods, but even the newest of these is now 20 years old and pre-dates the growth of Matrix-influenced vampire movies.
Stakes through the heart still seem to work, though in 'Lifeforce' (1985) and another movie I saw that I cannot remember the name of, it is the solar plexus, which many people, such as those who study tai-chi see as the source of human energy, that has to be the target for it to work. Possibly this is because vampires are supposed to have no pulse so there is doubt whether their hearts would be working.
So, what other ways are vampires killed in modern day stories? Many in 'Buffy the Vampire Slayer' seem able to knock away crucifixes even if they burn them, suggesting only a very large one would do them serious harm. Many even run around in daylight, simply smoking as they are exposed and able to deflect that by covering themselves in blankets, though sustained exposure will kill them. The most extreme example of this is in 'The League of Extraordinary Gentlemen' (2003) movie in which Mina Harker a vampire, is shown standing in brilliant sunlight sunning herself on the deck of the 'Nautilus'. We never find out what can kill her, she seems to be very powerful, leaping up buildings and turning into a flock of bats when running around Venice.
The issue of immunity to sunlight same seems to apply to some extent in 'Underworld' (2003) though in the unnamed East European city it is set in (one guesses it is Hungarian) there rarely seems to be much daylight anyway. Instead, the werewolves against whom the vampires battle fire bullets containing ultra-violet light sources in them which is like sunlight exposure from the inside out. Artificial light sources are used in 'Blade II' (2002) and in a steampunk way in 19th-century set 'Van Helsing' (2004) (which, to balance back the other way, also permits holy water to harm vampires).
The nature of bullets which harm vampires is an interesting point. Generally the standard lead ones inflict no damage. Interestingly in the UK television series 'Ultraviolet' (1998, not to be confused with recent movies and games) saw the unit opposing vampires firing carbon bullets (there is a mention of wooden bullets being used previously). The sense here is that carbon is the basis of organic chemistry; organic effectively implying 'life' and so life as opposed to death or undeath of vampires. In addition, in fact, a wooden stake really is just a big carbon-based bullet. More controversial is in the 'Blade' series in which it is silver which is said to harm vampires. Everyone knows it is werewolves that are harmed by silver (its similarity in appearance to the Moon); though in 'Underworld' it simply burns and stops the transformation of werewolves. Consequently, the vampires have to use silver nitrate, a form of silver that is liquid at room temperature which kills the werewolves by harming their blood circulation.
Given the connection with blood and perception of vampirism as a disease, there are medical approaches to quelling it. In 'Bram Stoker's Dracula' (1992) and 'Blade', characters see through the microscope how the balance of red and white blood cells change in vampires making them need blood to survive. In 'Near Dark' (1987) two characters are cured from being vampires by blood transfusions and in 'Blade' the hero is supplied with an intense anti-coagulant which causes vampires to expand in seconds and burst dramatically. In fact, you would think it would be the reverse and something that stopped blood flow would harm them more. However, the vampires simply kind of suffocating would be less visually dramatic than their bloody explosions.
Water, bar in the game 'BloodRayne' recently mentioned here, no longer seems to do any damage. Though in some traditions vampires cannot pass flowing water let alone go into it. However, in narrative terms this restricts them even further than sunlight, not allowing them out of the average Romanian village. In 'From Dusk til Dawn', holy water works when the priest recovers his faith which he does supririsingly easily. It shows why (holy) water is less popular as a weapon against vampires in movies as I guess it would remove the drama if we saw vampires being levelled by people with water pistols, power showers and hosepipes. A lot of action movies need the hero to act with ingenuity and anything too simple would undermine that.
As noted above, the villain has to be destroyable, but not too easily. It is interesting in 'Buffy the Vampire Slayer', when Dracula appeared, he proved to be basically indestructable and it was only through the heroine showing him how tiresome it would be for him to keep rematerialising and being killed again and again that he effectively gave up. Vampires are renowned for taking many forms, usually bats of different sizes, sometimes wolves and occasionally as clouds, but that does through up the issue of what happens if when in that form someone simply sucked them into a vacuum cleaner or dispersed them with a fan or something; probably why that form of manifestation is no longer common.
Another issue is reflections. Again, this partly stems for vampires being seen as effectively dead and so deemed not to have reflections. There is a great scene in 'Van Helsing' in which the heroine sees in a mirror that she is the only human in the crowded ballroom. Other movies do not worry so much about this aspect as it does seem a bit strange that somehow plain glass reacts differently to the light bouncing off vampires compared to that coming off humans, animals and in fact almost everything in the world. Maybe the suggestion is that the vampires absorb the light. In the UK children's televisions series, 'Young Dracula' (2007-2008), Dracula can only see his own reflection when he is actually inhabiting the body of Van Helsing. The most extreme example of no reflections is in the 'Ultraviolet' series. In it vampires cannot even be captured by audio or video recording devices meaning they are invisible to cameras and have to use artificially created voices when they want to telephone people.
It is interesting to see the different rules which apply to vampires in current media and how vampires are becoming more robust, with fewer weaknesses than they once would have had. This reflects the desire of writers to have strong opponents and ones who can stray much farther afield than down from the castle to the local village. I am sure there will be many more twists and re-interpretations in the coming years. I recognise I have only seen a fraction of the relevant movies and very few books, so it would be great to know other different examples of how to kill vampires that you have seen.
P.P. 04/10/2009
With the unending supply of vampire series appearing there seems to be weekly new examples of how vampires can be killed or not. Not having much time or the patience for reading these my input is mainly from television and movies. 'Twilight' (2008) shows vampires sweating in a gleaming crystalline way when standing in bright sunlight, but not burning up. In fact the 'Twilight' the vampires are probably the hardest to kill of all of these movies and series, as, to destroy them both in the book and the movie, you have to rip them 'to shreds' and burn the pieces because otherwise these pieces can reassemble.
Having re-watched 'Bram Stoker's Dracula' (1992) recently I was reminded that even the original Dracula was immune to daylight, though he was weakened. I remind the woman in my house of this when she complains that vampires should burn up rapidly in daylight as they sometimes do in 'Blade' and certainly in 'Ultraviolet'. This point is questioned even on the IMDB entry for the 1992 movie, but as that was very close to the original novel, it seems what Bram Stoker intended and certainly overcomes the difficulties of writing vampires to be so vulnerable.
I have started watching 'Moonlight' (2007-8) series which, despite the title, is about vampires rather than werewolves. It is interesting to note it stars Sophia Myles who played vampire Erika in 'Underworld' (2003), but this time as a human, Beth Turner, a television reporter. She teams up with vampire private detective, Mick St. John. In this series vampires can walk in daylight (if wearing sunglasses) but bright sunlight weakens them steadily. Silver simply paralyses them rather than kills them. I have not seen many episodes but generally the only way to kill vampires is to behead them or blow them up. Interestingly in this series, vampires images could not be captured by traditional celluloid photography but can be caught by digital photography which is a variation on the rules in 'Ultraviolet', though when that series was produced digital photography had not yet become common.
I watched the entire series of 'Blood Ties' (2007; series 2 about to be released on DVD) which is set in Canada rather than the USA. In some ways the set up is similar to 'Moonlight', though in this the heroine Vicki Nelson is the private detective and Henry Fitzoy, (Duke of Richmond and illegitimate son of King Henry VIII) is a vampire graphic novelist who assists her. In this story vampires are 'dead' during daylight hours and will burn up if exposed to sunlight. There is also a device called an 'Iluminación del Sol' (Illumination of the Sun) which is a flat circular metal object from which extend claws that dig into a vampire, weaken them and allow them to be controlled by whoever put the device on them. In this series most of those who are killed are other creatures from different mythologies as diverse as Amerindian and Greek, so we see a variety of ways of killing these creatures rather than vampires.
The acclaimed series 'True Blood' has come to the UK on a pretty obscure channel that I cannot receive but is due to move on to Channel 4 which I can get. As yet I do not know what vampires can be killed with in this series, so I will check back here with a discussion of it when I know.
P.P. 04/06/2011
I have now watched three series of 'True Blood'. There are a couple of interesting ways to harm/kill vampires in the story. Silver burns and in sufficient quantities paralyses vampires without killing them. At one stage a vampire is threatened with being locked in a silver coffin for five years as punishment for killing another vampire. The prime way to kill vampires is to ram a wooden stake through their hearts at which stage they inconveniently turn into sticky strands of blood occupying as much space as their bodies did rather than the easier to clean up dust of 'Buffy the Vampire Slayer'. The vampires are harmed by sunlight which steadily burns them though does not kill them instantly. In both the first and the third series various vampires are out in the sunlight being burnt but are able to recover after a good meal of blood. In the first series a small group of vampires are destroyed by fire when the house they are sleeping in is torched.
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