Fiction
'The Lady from Zagreb' by Philip Kerr
I have lined up the last few novels by Kerr (who died in 2018) featuring his German detective of the 1930s-50s, Bernie Gunther. This is the tenth in the series and like many of the others, jumps between wartime and post-war happenings. While it is common for us to know that in almost all detective novels, the detective will live beyond the end of the book, this approach does mean that even when they are facing serious jeopardy, as Gunther does in Switzerland in this novel, we know they have survived the incident largely unharmed.
Living in southern France in 1956, Gunther sees a movie featuring a (fictional) actress, Dalia Dresner, of Croatian extraction, with whom he had a sexual relationship in 1942-43. At first we seeing him dealing with an assignment to investigate the use of a house in Berlin by the SS for the daughter of the man it was taken from. That first case has a real hard boiled feel to it, but tapers off. Still it does provide information and contacts useful for the second case when he is tasked by Dr. Josef Goebbels controller of movie making under the Nazis with finding the actress's father who is in the collaborationist state of Croatia. The action in this novel is broken by Gunther going off to investigate the Katyn Massacre which featured in the previous novel in the series, 'A Man without Breath' (2013) which I read when last going through Gunther novels back in 2016: https://rooksmoor.blogspot.com/2016/02/the-books-i-read-in-february.html
Despite this fragmented nature and the fact that a beautiful actress would fall in love with a grizzled police officer almost twice her age, the story is interesting. Travelling to Croatia and Switzerland allows Kerr to show us different countries' experiences during the war and the inter-play between different nations police forces. His portrayal of the landscape of these two countries, complements that of the luxurious houses in Berlin which feature when he is in Germany. The manipulation of Gunther whether directly or indirectly, is well handled and credible. I was successfully misled in that regard, though other readers may spot this sooner. While at times credibility can be stretched, for the main this is an engaging mystery story, as always with Kerr, effectively grounded in the times and places he is showing.
'The Second Sleep' by Robert Harris
It is certainly challenging to guess what Harris will write next. While he has produced a number of historical novels set during the last days of Republican Rome and before and during the Second World War, he has largely adhered to straight historical fiction. His most famous book, 'Fatherland' (1992) which was an alternate history book featuring a Nazi victory, was really his only one which diverged from historical fiction. In contrast 'The Second Sleep' is a post-apocalyptic novel, set in the 2800s. Society has returned to the industrial level of the mid-18th Century, with water-powered factories being the highest level of sophistication.
We are not told what the apocalypse was but Harris shows concerns about how much knowledge depends on the maintenance of electricity and internet access, very timely given we lost internet access across our district this week and thus could not even contact people to report it. There are also indications of climate change. The novel takes place in Devon in South-West England but parakeets and even birds-of-paradise live wild in the countryside and the county produces bountiful red wine.
A Christian church is largely in control of English society (Scotland is once more a separate state). It has some elements of Catholicism such as clerical celibacy and the use of Latin, but also of the Church of England, i.e. it uses the King James Bible and the head of state is the head of the church rather than this residing with a Pope. Investigation and discussion of the remains of the pre-apocalyptic society are treated as heresy and this is at the heart of the book. Christopher Fairfax is sent to a small Devon village following the death of the local priest and discovers that the dead man had an enduring interest in the preceding society and what might be a refuge of the last of those seeking to maintain an industrial England.
Obviously there are lots of parallels to 'A Canticle for Leibowitz ' (1959) by Walter M. Miller Jr., though, unlike that book which covers many centuries, Harris's is on a much smaller scale, confined to a small village and its neighbouring market town. This helps in him drawing the characters richly and the inter-play between Fairfax, Lady Durston and Captain Hancock, a local industrialist, is well handled. Harris was looking to draw on the work of Thomas Hardy (even naming the post-apocalyptic county, Wessex) and there is also the flavour of Jane Austen novels too. In that he succeeds. However, the book falls down at the last. I have often noted that Harris struggles with endings. This is also notable in 'Fatherland' and 'Enigma' (1995) and in fact the screenplays of these two (1994; 2001 respectively) handle the conclusions better than the novels did. The same happens here, it is almost as if Harris runs out of steam. There is a great revelation and then it just halts where another author would have given something more satisfactory or at least more conclusive.
'Dinner for Two' by Mike Gayle
This is quite an insubstantial novel. It seems in part autobiographical featuring a music journalist then agony uncle (a role Gayle has held), Dave Harding, who like Gayle is black. He lives in London in the early 2000s. Not a great deal happens. His wife Izzy has a miscarriage and Harding is contacted by a 13-year old girl, Nicola, who claims to be his biological daughter as a result of a one-night stand while Harding and her mother were on holiday in Greece. Much of the book is taken up with Harding angsting over whether it is right for a man to want to be a father the way some women yearn to be mothers. Then there is thinking about revealing Nicola to Izzy and being in touch Nicola's mother. Caitlin. It is padded out with mildly witty articles that Dave writes for various publications and his comments to women about what men are thinking. I was surprised Dave does not get more into difficulty as a result of meeting a 13-year old girl, on occasion playing truant from school, for a number of meals and drives in his car. Izzy and Caitlin also seem much too easily accepting of the situation. I have a sense that Gayle has written a book on how he wishes people would behave when 'patchwork' families develop than is actually the case in UK society. In addition all the characters come over as very privileged and not facing any real challenges which makes it all seem like a 'feel good' fantasy. Maybe I should have expected that from Gayle's writing.
