Fiction
'The Nonborn King' by Julian May
As this was a 2013 re-release I had not realised it was the third book in The Saga of Exiles tetralogy. I had also not realised that like Robin, in the USA, Julian is a woman's name, so had assumed, being British, that the author was a man. I had often come the first book in the series, 'The Many-Colored Land' (1981) but was not tempted to read it at the time. I am glad I did not. This book is almost a stereotype of overblown 1980s fantasy, that I had assumed, due to the portrayal of women, was written by a middle-aged man; May was 52 when it was published in 1983.
It is not really fantasy as it starts as science fiction, with the development of psionic abilities and Earth joining an inter-galactic confederation of species with psionic abilities. However, through a wormhole various people are sent into exile in the Pliocene era 5.3-2.6 million years ago, probably at the start of that era as in this volume we see the Mediterranean basin being reflooded. Travelling back in time, humans from the future meet two branches of the same species of humanoid aliens, the Tanu and the Firvulag that they alternatively combine with or fight
This book is filled with lots of factional battles over 'France', Spain', south-western Germany and parts of the Western Mediterranean and Atlantic seaboard of North America. The reflooding of the Mediterranean is caused by a powerful psionic woman. A powerful human psionic ridiculously called Aiken Drum (as in the song) sets himself up as ruler of 'Brittany' and the book is a rather laboured coming to war of various factions. The psionics like magic and the principalities make it feel like fantasy, though occasional high-tech vehicles and weapons turn up periodically.
Despite being republished in 2013, this book as racist epithets and a generally negative view of women, even down to the myth of the vagina dentata. If I had not known better I would have assumed the book was written by a socially isolated man living in the Mid West living out his pubescent fantasies of time travel and superpowers to secure him women as partners even against their will. I can understand why these books were successful but there was a lot better fantasy around even back in the 1980s, let alone now.
'The Songlines' by Bruce Chatwin
I do not really know if this counts as fiction. Chatwin was a travel writer and it is hard to know if the incidents (there is no plot) that he describes were fictional or real. I guess it counts as 'semi-autobiographical'. Anyway, the book is about an author travelling around central Australia finding out about how Aborigines map the country through songs that allow them to pass on the history and geography of places they move through, the different creatures they identify with, the boundaries between different tribes but also as a shared way of communicating across dialects and languages of the people of the sub-continent. That in itself is interesting. However, the portrayal of the author travelling to various locations to discuss this approach with various people is incredibly seedy. You feel that everything he encounters is worn out and on the verge of collapse, many of the people completely lost in the world, prey to alcoholism or simply the break-down of human impact on such a harsh environment. In the last quarter of the book, Chatwin even gives up on this for a while and simply lists short snippets from various sources trying to portray humans as naturally nomadic rather than settled.
Overall, a very dissatisfying book. I would have preferred to read his analysis of the song lines referring to the people he met and spoke to about them, rather than levering it all in what proves to be a dreary, depressing 'story'.
'Set in Darkness' by Ian Rankin
This is the eleventh book in the Rebus series and I realise I have read so many now, that I no longer look for any of them to be better or worse than the one before, they just are. It is like we periodically drop into John Rebus's life to see how he is getting along. These are increasingly more 'slice of life' novels that happen to be about an unhealthy dysfunctional police officer going about his business in Edinburgh. These sense of the drive of the mystery in these books has entirely faded for me. Three disparate threads and the uncovering of murders involving property developers from the 1970s as a result of the building of the Scottish Parliament (the book was published in 2000), is deftly handled rather than thrilling. There are tropes such as the long-established gangsters and the wealthy family with secrets, so at times, if it were not for the interaction between Rebus and his colleagues, whether friends or opponents, it would feel rather like an episode of a soap opera like 'Dallas'. It is reasonably well woven together and the descriptions of various parts of Edinburgh remain interesting. I still have four more in the series to read of 13 more Rebus novels published since then - there are various short story collections/novellas too. I am content to work through the ones I have but despite copies turning up regularly in charity shops (I now live in Scotland), I am not rushing out to collect them.
'The Ocean at the End of the Lane' by Neil Gaiman
As it explains in an interview in the back of the edition I had, while this superficially seems to be a children's book, featuring a man remembering the fantastical situations that developed when he was living in rural Sussex as a boy. I suppose it counts as magic realism. As noted in the interview some of the horrors have are from an adult perspective which is why I probably found this story far more unsettling than say the Harry Potter stories, even though the protagonist is a 7-year old boy. He falls in with the grandmother, mother and daughter of a neighbouring house who are a kind of immortal guardians trying to stop misguided rather than evil creatures coming through to cause harm on Earth. It moves along at a pace and for all the fantasy, has a kind of realistic edge. It is set in the late 1960s and I was 7 in 1974, so I can envisage much of 'ordinary' setting and especially the attitudes of adults that are portrayed. It moves along briskly and like all of Gaiman's work is well crafted. I did feel some parallels with 'Good Omens' that Gaiman wrote with Terry Pratchett published in 1990 and 'A Wrinkle in Time' (1962) by Madeleine L'Engle and unsurprisingly it has proven as popular as those two. It has a similar appeal, encompassing the fantastical but rooted in some kind of reality.
Non-Fiction
'The Thirty Years War' by Peter Limm
This is a slim volume which draws on translations of documents of the time to illustrate the points Limm is making. He is no better than anyone else at disentangling the to and fro fighting that raged over western and central Europe in the mid-17th Century. The strength lies in the analysis which follows. There is crisp insight into the impacts of the war, showing how, contrary to many portrayals of it as a real divide in history, it saw many continuities. The war did cause economic harm, but this was actually part of longer trends as were the military developments which it highlighted rather than provoked. Overall this is a perceptive book which certainly, I felt, increased my knowledge of the politics, economy and society of the countries impacted and challenged simplistic assumptions very often seen.
