Showing posts with label Donald E. Westlake. Show all posts
Showing posts with label Donald E. Westlake. Show all posts

Friday, 31 January 2025

The Books I Read In January

 Fiction

'Stasi Child' by David Young

This is a novel set in 1975 featuring Oberleutnant Karin Müller member of the East Berlin Vopo, the East German mainstream police force. The body of a girl is found close to the Berlin Wall with bullet wounds suggesting she had been shot escaping into East Germany. This rather ridiculous premise is soon overturned and the traces of tyre tracks in the snow show quickly that high-level individuals in the East German regime must have been involved. Silently the case is quickly put under the auspices Oberstleutnant Klaus Jäger of the Stasi, the secret police. Naturally Müller have to tread carefully as the case takes them to the island of Rügen and then when a similarly killed body is found, to the Harz Mountains. There are two parallel stories, one of a girl at a cruel borstal on Rügen and that of Müller's husband who has both worked at the borstal as a teacher and is increasingly suspected of working against the East German state, especially through his involvement with Christian groups.

Young does well in portraying the East German regime, though for Western readers this does rather give it the feel of a spy novel set at the time. Given her rank in the police, Müller is shown as an enthusiast for the regime and criticises what she sees of West Germany, for example when she and a colleague are sent into West Berlin to investigate the use of luxury cars hired there. However, the characters are not two-dimensional and Müller as well as her husband and colleagues have flaws. The perspective of the girl from the borstal and her attempts to escape East Germany slowly reveal the other side of the case but also tell us much more about the nature of the regime and how it punished those it perceived as being wrong, even if they had committed no crimes.

Despite the unfamiliar context and what details Young has to include, the novel moves along briskly. On occasion some coincidences seems convenient for the plot, though later it is revealed that many were intentionally arranged as the leading criminal is an old antagonist of Müller's seeking to draw her into a vulnerable position. The breakdown of Müller's marriage is rather mechanical but perhaps that is to emphasise that human relations were controlled by the state as much as everything else. Once her husband is arrested, Müller is obligated to divorce him or be sacked from her job. I have the sequel 'Stasi Wolf' (2017) to read and while I could not say I enjoyed this novel, I was interested by it and it felt to be largely well written.


'Catnip' by J.S. Frankel

This is the first book in a series of five. I am not really sure where to place it. It could come under science fiction but seems to be set in contemporary times, i.e. 2017 when it was published, or given some of the technology referenced, earlier in the 21st Century. However, it features three examples of genetic splicing with humans which even with the advent of CRISPR appears to be something from our future.

It is very much a YA novel and in many ways a wish-fulfillment story. The protagonist is Harry Goldman is a home-schooled, orphaned prodigy who has followed in his father's footsteps in working in genetic modifications in particular trying to use shark genes to try to block cancers of the kind his father died of. For a teenager even a nerd with contacts, he is given very high level access to university laboratories to continue his research. Then a young woman, Anastasia, whose genes have been spliced with those of a cat, bursts into his life. She almost immediately falls in love with Harry and he, being socially awkward and with few friends, let alone a girlfriend, unsurprisingly falls for her.

The FBI come after Harry in part to try to solve the riddle of how she came to be. In addition, she appears to have been altered in a Russian laboratory so is seen as a national security threat. Time is running out as the cat elements are increasingly suppressing Anastasia's human ones. She is also driven back to where she feels she came from, which is located in the Catskills Mountains, so the couple go on the run. This is pushed on by a super-strong man spliced with bear genes and aided by one with dog genes. Though there are sequels this novel comes to a climax with the confrontation with Anastasia's 'Dr. Frankenstein'.

The book is fast moving, though the attacks of the bear-man Ivan do get rather repetitive. Frankel is a Canadian who emigrated to Japan and he does portray almost all the Americans encountered as nasty, self-centred and violent. While that contributes to the plot, it does provide an almost graphic-novel feel to the novel, with broad brushstrokes. I feel that I was too old to read this book and a man 40 years younger than me, especially if a nerd, would really welcome it.


'Sacred Monster' by Donald E. Westlake

I bought this book at the same time as 'Tomorrow's Crimes' (1989) https://rooksmoor.blogspot.com/2024/12/the-books-i-read-in-december.html  This novel published the same year was in the science fiction section of the bookshop, but is certainly not science fiction. It is also certainly nowhere near the quality of even the mediocre stories in 'Tomorrow's Crimes' let alone the best of them. It is really a lengthened short story and it does have some 'chapters' no longer than a paragraph. It is about a washed-up Hollywood actor, Jack Pine, some of his career has parallels to that of Jack Nicholson. During the course of an interview following a drugs binge, with him fading in and out as his butler administers antidotes, Pine recounts his life from adolescence to present day in a sequence of flashbacks. 

There is nothing remarkable about the story, in fact it can be seen as a stereotype, with an actually skilled actor with decaying effort, multiple marriages, problems with the production of movies, drug and alcohol abuse and outrageous behaviour in public. Westlake was supposed to also be a writer of humourous novels and I am guessing that this is what this one was supposed to be. I am guessing there are references that meant a lot more to Americans in 1989 than a Briton in 2025 and so this book would have been a satire on the Hollywood industry of the time. The final section is quite clever, a reference to  and comes to a decent denouement. This would have been effective as a short story even now, but stretched to a short novel, you are left wondering 'what was the point?'


'The Lake District Murder' by John Bude [Ernest Carpenter Elmore]

This is the second book that Bude published in 1935, coming after the success of 'The Cornish Coast Murder' (1935) which I read last month: https://rooksmoor.blogspot.com/2024/12/the-books-i-read-in-december.html It was re-released under the British Library Crime Classics banner. As the title suggests, Bude does not continue with the same detectives, but has a new set, though with the same pattern, i.e. an inspector, in this case Inspector Meredith, a superintendent and a Chief Constable in easy reach. This does accurately reflect how small some British constabularies were in the pre-war period, though in the course of this novel he draws on police officers from across Cumberland (from 1974 part of Cumbria). This time there is no amateur detective involved, just the police.

Bude knew the Lake District well and makes use of its geography throughout, referring to numerous genuine locations. The original Agatha Christie novel 'Dumb Witness' (1937) is actually set in Berkshire, but for some reason for the TV dramatisation as an episode of 'Poirot' broadcast in 1996 is relocated to the Lake District and shows it in a light that might be more expected to emphasise the region's beauty. Much of Bude's story occurs in March and April so the weather is inclement and though he describes various features this is not a 'travelogue' to the area, more it represents the ordinary existence of residents 'out of season'. Though there are middle class characters, much of the focus is on working class people notably men working in the petrol distribution industry.

The speed at which this book was published seems to be apparent, despite all the detail outlined below, in a laziness in picking certain characters names. An old soldier and his wife back from Asia are called Major and Mrs. Rickshaw; the local weights & measures inspector is called Mr. Weymouth and his equivalent for inspecting licenced premises including the whisky they sell is called Mr. Maltman. I am surprised and editor did not pick up on these examples of nominative determinism, which do rather break the suspension of disbelief.

A man is found apparently having asphyxiated himself using car fumes at the small petrol station where he was the owner. As the title of the novel suggests for a number of reasons this is quickly dismissed as being suicide. It soon becomes apparent that the murder must be connected with some fraud which is being carried out involving petrol stations around the region. Though there are elements that are like a detective story, especially with Meredith rushing around on a motorbike to probe in dumps and crawl down tunnels, much of the story is very police procedural with extensive analysis of the loading and unloading of petrol and how it is distributed to petrol stations. In this and a later facet of the anticipated scam, Bude shows a lot of research has been done and we can get a feel without difficulty for how these businesses were run in the mid-1930s, I guess because these details would have been unfamiliar to most readers of the time.

The one common element with 'The Cornish Coast Murder' is that the inspector comes up with a number of feasible explanations to what has happened and explores them thoroughly only subsequently to dismiss them. For some readers, the analysis and probing, might be heavy weather especially as he goes through three overarching explanations before reaching the ultimate one. There is minimal disengagement from the case - everyone seems to go home for lunch - but most of the book is flat out on the case. The final explanation while working does require a bit of suspension of disbelief regarding the numerous underground bases that have been built to enable the fraud but without their construction in numerous places being noticed.

Overall, this is an interesting novel and certainly different from the 'country house' novels so common in this era. I have a number of Bude books to read so it will be interesting to see what he continues and what he alters across these, especially given they are all set in different parts of England and presumably with different detectives.


Non-Fiction

'Society and Democracy in Germany' by Ralf Dahrendorf

When, back in the 1980s, I was studying modern history, particularly of Germany, a lot of store was put in the work of Dahrendorf. I bought this book, published in 1965, back then. Reading it now I realise how much the 1980s were at the peak of New Right/Thatcherite/Reaganite views and as a consequence a book like this, so very libertarian in outlook, would have been seen to espouse 'acceptable' even 'common sense' views. These seem to be back in favour now, much to the alarm of large swathes of the population especially in the UK and USA.

While Dahrendorf may have been a respected sociologist, there are so many errors in this book that I would need to write an entire book myself to challenge them and I am not intending to do that. I imagine there are numerous critiques out there. I will just challenge some of those points which riled me most. Like a lot of Germans, Dahrendorf really over-estimates the impact of the Bismarckian social welfare policies. This provides him with extra 'ammunition' because he makes a basic assumption that all social welfare is an authoritarian shackle on the population so is inconsistent with a liberal democracy. He heavily criticises West Germany, portraying it as almost a Third World state with large chunks of the population despise and excluded, treated inhumanely and children being brought up only quasi-literate. In his eyes West Germany is 'wrong' in so many ways and was unlikely ever to become a liberal democracy.

Throughout Dahrendorf is utterly dismissive of almost all other viewpoints, even denigrating other historians and social scientists whose research supports his own. He takes tiny samples to show apparently how appalling the German grammar school system is, seeming to forget that at the time, the UK almost exclusively had the same system though lacking the technical pathway present in Germany. He speaks about embedded elites and we know well that that was a challenge in Germany. His views on the lack of modernisation of society during the 19th Century is fair as is his recognition that many within Weimar Germany hankered after what had been in place before. However, while he acknowledges that East Germany had a serious shaking up of elites, he fails to recognise that the democracies of Europe and even the USA did now witness a similar change and yet somehow have remained democratic. Ironically he almost verges on praising the Nazi Regime for actually moving towards 'modernising' Germany.

I suppose it is this sense of uniqueness that makes it difficult for him to concede more than occasionally that other democracies have faced similar challenges to West Germany. He seems to see the strength of the family in West Germany as unique, utterly ignoring those countries across Western Europe at the time where the family was even stronger than there, as if for some reason this does not count for him. There is a constant insistence that unless something is not precisely the way he feels it needs to be then it needs to be utterly condemned. 

While there is a natural focus on the period 1933-34, despite all that Dahrendorf has said about authoritarian tendencies running through pre-Nazi Germany, he utterly fails to explore the appearance of the authoritarian period 1930-33 when democracy had already ceased in Germany. I think this is because, due to the emphasis on the modernisation of society by the Nazis, he sees authoritarianism as counter to Nazism, rather than a stepping stone. This also causes him problems when trying to reconcile other forms of Fascism to authoritarian developments in other countries. He is able to fall back on the uniqueness of Germany to avoid this challenge.

Like some other historians of his era, he also ignores or dismisses the resistance in all its formats to the Nazi Regime, totally ignoring all those put in concentration camps before the war even began. He is also dubious of those who resisted, even from centrist or left-wing bases as he feels they hankered too strongly for the authoritarianism of the Imperial period and would have thrown aside the modernisation that the Nazis, in his eyes, had to bring about. Yes, the plotters of the Valkyrie Plot were not suddenly going to usher in a free-wheeling democracy. However, what they would have instituted, Dahrendorf refuses to see is something that bit better than the that of the Nazis, exterminating thousands on a daily basis by that stage of the war. 

Ironically, he then goes on to complain that the power elites of West Germany have both proven to be insufficiently assertive - he keeps referring to them as the 'cartel of anxiety' - though we might be surprised otherwise when West Germany was clearly on the frontline of the nuclear-armed Cold War. While recognising there is a greater diversity of views in post-war politics of West Germany, again he complains because this does not precisely fit his demands as apparently they move in very different social contexts, something they apparently have to overcome, while still maintaining their views as Conservatives, Liberals, Conservatives, let alone as Greens, etc. Again in a rather contradictory attitude, despite this wish for politicians to be operating in the same habitus, he rails against any Grand Coalition which was actually imminent, running 1966-69. This stems, it seems from Dahrendorf's aversion to anything which stunts the free play of conflict as I discuss below.

Dahrendorf also subscribes blithely to the now-discredited Year Zero perspective on post-war Germany, more than once saying it, even in what became West Germany, had been reduced to 'pre-industrial' levels by war damage when we know this is huge exaggeration in terms of what remained standing and working in May 1945 which is an important explanation for the economic miracle soon following. He also makes no mention of Marshall Aid or OEEC/OECD/ECSC/EEC developments which West Germany was at the heart of, largely because it would show benefit for state input into industry which is something he cannot swallow, because such state involvement, a major bad legacy of Prussia, in Dahrendorf's views (too often influenced by Von Hayek) is inherently opposed to liberty and liberal democracy.

I could go on. You really have to sift hard among what he says to find feasible arguments. His point about the authoritarianism of the German judicial system lacking a true adversarial approach and the political rulings of German judges is fair (for East Germany as well). Ironically he saw improvement in that direction in the 1960s which we can argue has not been fulfilled. However, his prime problem is less about the bias of such a system and more because it suppresses the conflicts which he feels are necessary for a healthy liberal democracy. He approaches the challenge of cartelisation in the same way especially when the cartels, ironically were too dependent on state involvement, making a system that in his view was a horrible hybrid, despite its success throughout the 19th, 20th and indeed into the 21st Century.

Elsewhere in the industrial sphere, Dahrendorf complains about trade unions, works councils and co-determination, despite these being industrial aspects often praised in other democracies, as authoritarian because in reducing conflict they too are inherently authoritarian in avoiding conflict rather than properly channelling it - whatever he really means by that. The reader does run up against a peculiar perception of what a healthy society in Dahrendorf's view would look like and at times it seems to verge on being so libertarian as to be anarchic. Of course, since the book was published West Germany has faced challenges, the rise of the NPD, Die Republikaner, AfD on the right and pseudo-extreme left-wing terrorism and yet looks to be surviving even sixty years after he wrote this savage critique. Perhaps unsurprisingly, he under-estimated the chances of reunification of Germany, less than thirty years after he was writing, but that was because while he noted that the East German regime was backed up by Russian 'bayonets' he never foresaw their abrupt withdrawal. While reunification was not trouble-free the assimilation of a country of 17 million people into what was West Germany, does suggest it was much healthier and accommodating than Dahrendorf insisted it was.

This is a very irritating book. In part that is due to its age and the fact that our understanding of German history in the 20th Century has improved since it was written. However, it suffers very much anyway from a 'grand man' of sociology insisting that everything is not only the way he says, with poor reference to the comparators he makes huge assumptions about and an insistence that if a development is not precisely the way he feels it should be, then it is 'wrong' and needs repeated condemnation. It is clear that he loathed West Germany as a society. While he equally despised East Germany and the Nazi Regime, he cannot shake off respect for their steps to 'modernise' German society. I am so glad I never read this book as a student and I do hope that it and the views it espouses are left deep on the bottom of some dusty shelf.


'The Seventeenth Century' by G.N. Clark

I bought a 1960 copy of this book, back in the late 1980s and had not realised actually how old the text was. It was first published in 1929 and while supposedly update in 1947, it makes a major blunder by referring to European dictators without mentioning Adolf Hitler, who was not in power in 1929. Despite that, it is an interesting book looking at what Clark portrays as a transition era from the end of the Renaissance towards the Enlightenment and the Early Modern Era. He does a good job of showing how the foundations for what would follow were laid in this period right across economics especially in commerce. technology, science and philosophy. Indeed much of the book is an intellectual history rather than a political one. There are descriptions of what occurred in the century across Europe but these are more as a basis for Clark's analysis of the much broader developments, notably in trade, demographics and economics. 

About half of the book is devoted to the development of ideas whether in science, philosophy or religion and he goes into detail on these much further than you would find in many general histories of the period, sometimes to a level that the general reader would find esoteric. However, this is a useful background and especially in alerting readers to not muddying developments of the following two centuries with what had been done in the 17th Century. This does then show some developments to be less of a revolution in the 18th Century but based on initial steps in the preceding one.

Overall, while not a stunning book, this does provide insights which a general reader may have missed in other more recent books of this kind. Note, in common with many English-language non-fiction books of the first half of the 20th Century, Clark takes it for granted that the reader is fluent in both Latin and French so provides no translations for sometimes lengthy quotations in these languages.

Tuesday, 31 December 2024

The Books I Read In December

This year I read 59 books, the shortest being 160 pages and the longest being 634 pages.

P.P. 06/03/2025

I was interested to see where this put me in the survey of UK reading trends. Being a Remain and Labour voter, I do fall into the political category of greatest readers, but am not yet into the highest age bracket (over 65s) for reading. Women read more than men, though men are more likely to read non-fiction than women. Where I stand in terms of middle and working class is very difficult to determine nowadays. I always thought I came from a middle class family and was middle class. However, I have been strongly told that, largely because I am a tenant, do not buy new cars or have holidays, I cannot be middle class, so I do not know if I would boost the 66% of middle class people who said they read recently (there are few days when I do not read) or the 52% of working class people who say the same. I probably hang around outside the traditional class structure with elements from both. I do mourn the fact that the 'Fred Kite'/WEA well-read worker no longer seems to feature, certainly in analysis, maybe not much in society either.

I am in the 40% who have only bought second hand books in the past year, rather than the more than 50% who bought at least one new one. 23% of people pick an 'even' mix of fiction and non-fiction, whereas for me only 1-in-4 books is non-fiction, the other 3 are fiction. Due to commuting changes, I have stopped listening to audio books, so I am in the 61% who read physical books. I do not mind paperback or hardback, it is more what I can get second hand. I am in the only 29% who think listening to audio books is equivalent to reading a book. I am in the 4% of readers who read more than 50 books in the year and in the 24% who own more than 100 books.

Anyway, for these statistics see: https://www.theguardian.com/books/2025/mar/06/new-poll-finds-40-of-britons-have-not-read-a-book-in-the-past-year


Fiction

'Tomorrow's Crimes' by Donald E. Westlake

Though he wrote across genres, I had not come across Westlake before. This is a science fiction anthology by him of stories published 1961-1984. Some, like 'Girl of My Dreams' are rather pat, more like a tale of the unexpected. 'The Winner' is a very grim dystopian story about future prisons. There is certainly a grittiness to Westlake's stories which I imagine he has brought over from his crime fiction. A couple of stories stand out. 'The Risk Profession' is a story of a loss adjuster going to investigate an asteroid mining camp, almost like in a Western but in space. The other is the novella at the end 'Anarchaos' about a man going to the eponymous planet which is tidally fixed to face its red sun to find out about the murder of his brother. It is very much a story about corporations and prospectors and for all the science fiction setting, also feels at times like a Western. Still, both are effective crime stories and also explore different science fiction concepts well. Again there is violence and suffering that makes the stories darker than you might expect even in a collection from that era. It is clear that there are quite a few books out there by Westlake but if I found one I would check it carefully to see what type it was, but if satisfied I would then give it a try.


'The Confessions of Arsène Lupin by Maurice Leblanc

I imagine like a lot of British readers I was drawn to the original Lupin stories, published 1905-23 (though with loads of follow-ons) by the French TV series, 'Lupin' (2021). That is the way 'Elementary' (2012-19) (and not 'Sherlock') was to the Sherlock Holmes stories, i.e. a modern take influenced by (late 19th Century/)early 20th Century stories. Unlike Holmes, Lupin is a thief, though one who is supposedly renowned even in his own time and loved subsequently as the TV series made clear. The Lupin books actually reference Holmes, but his closest British rival would be A.J. Raffles in stories by  E.W. Hornung (brother-in-law to Sir Arthur Conan Doyle), 1898-1909. There is no indication who translated this particular collection into English.

This book was first published in 1913. The 10 stories show Lupin as amoral, with him as often stealing from other criminals as from ordinary people. Sometimes he comes up against his prime antagonist, Inspector Justin Ganimard of the Sûreté, though in 'The Red Silk Scarf' ends up effectively helping the police. In 'Two Hundred Thousand Francs Reward! ...' he tracks down a murderer and a disappeared woman after he catches sight of signals being flashed in his neighbourhood. He works out various mysteries such as 'The Invisible Prisoner' a thief who seems to have disappeared after raiding a house and for the benefit of others, 'The Sign of the Shadow' in which a strange painting is a sign towards a treasure of diamonds. There are stories which remind us of Conan Doyle's 'The Adventure of the Speckled Band' (1892) though perhaps not quite as bleak, such as 'Lupin's Marriage' with a very long con involved.

Overall the stories are brisk and successful conjure up a feeling of the late 19th Century France. Though there are some grim elements, at times the tone is playful. Certainly with this collection, the reader feels that Lupin is a hero more than a criminal. If I find any of the other Lupin books, especially ones in which he is more straightforwardly carrying crimes I would certainly pick them up.


'The Cornish Coast Murder' by John Bude [Ernest Carpenter Elmore]

This book, one of two that Elmore published in 1935, is another from the British Library Crime Classics series. As Martin Edwards who curates much of the series notes, Bude rooted his novel, his first crime one, in a locale rather than a fictional county, in this case on the Atlantic coast of Cornwall. Saying that, the town of Greystoke which is featured, is fictional as the only Greystoke in England is far further north in Cumbria. Still you really get a real feel for the headlands and coves of northern Cornwall.

An unpopular local magistrate and landlord, Julius Trethgarthan is shot dead standing at the French windows of his living room during a storm. There are few suspects beyond the man's niece, Ruth, an author in the village, Ronald Hardy; a local midwife, Mrs. Mullion, and a local poacher Ned Slater; perhaps Trethgarthan's two servants, Mr. and Mrs. Grouch. The clear clues, especially footprints, restrict the number of suspects but also allow for a range of speculations about how the murder was carried out. The behaviour of Ruth, Ronald and Mr. Grouch all further muddy the waters. Some readers might be irritated by how additional information keeps on shifting the perspective on the crime. However, in some ways, for a 'cosy' crime, it actually feels authentic and with its clear context maybe why it appealed to readers at the time.

There are effectively two detectives, the local uniformed Inspector Bigswell and the vicar Reverend Dodd who lives near the scene of the crime and knows the Trethgarthans well. Dodd along with his friend Dr. Pendrill, are eager consumers of detective fiction, meeting up each month to share novels. There are references to genuine contemporary authors and while a latecomer to the genre (he also wrote science fiction and was theatre producer and director) Elmore was a founder of the Crime Writers' Association. 

Effectively having two detecting protagonists is a bit unusual. Their paths overlap at times and close to the end they are looking for clues in exactly the same place. Again this might irritate some readers, especially in terms of flipping point of view, but in fact it allows the author to bring in different bits of evidence from different places without having a single character having to hare all over the place. Both men also work out explanations which have to be discarded in time and it is quite refreshing for them not to lock on to the correct one quickly. For all its cosiness, the motive for the murder turns out to be as bleak as any in a crime novel.

I have four more Bude books to read set in different parts of England and I am quite looking forward to his slightly quirky approach which rather makes his writing distinct from some of his contemporaries.


'Excession' by Iain M. Banks

As readers of this blog probably know by now, I am not a big fan of Iain M. Banks's Culture novels, rather feeling that their all-powerful civilisation is rather tedious. Perhaps I hoped for something a little different from this one. It features the appearance of an immensely powerful object in space which attracts the attention of Culture spaceships and another squid-like race, the Affront. A lot of the interaction in the book is between sentient spaceships, something Banks seemed to really like doing. However, for many readers, or maybe I am alone, it does seem all a little impersonal, especially given how powerful these vessels are, one literally manufactures a warfleet within itself. The object, the 'Excession', which may allow access to multiple universes, becomes part of a conspiracy by a cabal of spaceships. The novel basically covers a whole assortment of vessels and a few humans and Affront beings sent towards it. A war between the Affront and the Culture breaks out when the Affront seizes a Culture storage asteroid holding many vessels from the last war.

The skipping between the various characters so much, reduces our engagement with each, even the two humans, Dajeil Gelian a woman who has remained in a pregnant state in a replica of a planet she last worked on inside a spaceship for forty years and her former lover, fellow scientist and philanderer Byr Genar-Hofoen who is obsessed with the Affront. The ship holding Gelian wants them to reunite and for the child to be born. On the way, Genar-Hofoen encounters people set up to resemble Gelian, though they like some of the other characters such as Leffid and Gestra Ishmethit, the warden of the storage vessel Pittance for 150 years, seem to serve no purpose.

With so many characters, the narrative is really fragmented and you do feel as if you are going through the motions as the different groups and individuals work their way to the Excession, some directly, some getting very distracted. In fact the portrayal of some of the places along the way are far more interesting than what happens towards the end. As it typical with Banks, there is a lot of info dumping as if he really wants every reader to know everything about the Culture and other species. The ending is a real anti-climax and further reduces the value of what has gone before. There are some engaging scenes but too much of the book reads rather like a flight manifest.


'Hombre' by Elmore Leonard

I realised coming to this, an out-and-out Western that it was a genre that I had not read in since 'All the Pretty Horses' (1992) by Cormac McCarthy who is now in disgrace but was acclaimed at the time. I have read Elmore Leonard books, but more usually his 20th Century crime novels. This edition was produced by Orbit books to make available to people familiar with various movies, the books that they were based on. I assume this was why my late mother, a movie fan as well as an avid reader throughout her life, bought it. The movie 'Hombre' was released in 1967 and starred Paul Newman. The novel was published in 1961. 

It is a very contained story set in 1884. It mentions Florence but that is in South Carolina and the book also mentions Bisbee so seems to be set in Arizona, certainly close to the Mexican border and near to where the Apache tribes had been forced to live. With the rise of railways a stage coach company is being closed down. One employee, Carl Allen, a young man who surprisingly speaks no Spanish, is the narrator of the story. Along with his former boss, Mr. Mendez, as driver, Allen accompanies five other people in a specially hired coach out of the small town of Sweetmary. One of them is the 'Hombre' ['Man' in Spanish], John Russell who is perceived as part-Apache having lived with a tribe as a child and then with a Mexican before becoming part of the Apache Police. The others are Dr. Alexander Favor, an Indian Agent, i.e. liaison between the US government and tribes, his wife Audra; Kathleen McLaren who had recently been released from being captured by the Apaches and Frank Braden who proves to be a criminal.

The coach is held up by confederates of Braden looking to steal the money Favor swindled on supplying food to the Apaches. The rest of the novel is about the passengers trying to get clear without being killed by the bandits. Russell is very much in the mould of the strong, silent, rather cold hero, who always knows what to do that is right. Probably reflecting discussions around civil rights, there is much discussion about whether he should even be allowed to travel in the coach. Different perspectives on the Apaches and their treatment are aired in the tense periods when the passengers are trying to stay clear of the bandits. The book almost becomes philosophical at the end in discussions about what one should risk to help others and what defines a 'man' and a 'hero'. 

Overall, then, this has many of the elements of a classic Western. It really portrays the harsh landscape very well. In some ways it sticks to the archetype of the lone gunman, but in others especially in the discussions between the passengers, looks to engage with broader issues around race and though touched on euphemistically, violence towards women. While different to the other Leonard novels I have read, this one is as equally as engaging as those.


Non-Fiction

'Europe in the Fourteenth and Fifteenth Centuries' by Denys Hay

This is another of those Longman General History of Europe books that I have picked up down the years. Unlike the last one I read, by Franklin L. Ford, back in May 2020: https://rooksmoor.blogspot.com/2020/05/books-i-read-in-may.html which covered only 50 years, this one as the name suggests straddles two entire centuries. In general Hay handles it well, starting with social and economic structures which can be referenced no matter which period or region he is focusing upon and this forms a sound basis. Religion, perhaps unsurprisingly gets a lot of attention and he is generally sound on the multiple Papacies and the often forgotten precursors to the Reformation which appeared in the preceding decades. The book is good on Eastern Europe, Russia and the Ottoman Empire which all tend to get neglected in terms of general histories. It is not bad on 'Italy' sensibly breaking this down into separate regions. It struggles a bit more with 'Germany' and really fails to communicate the Hundred Years War any more effectively than any other account I have read. However, the writing is brisk and explains mostly with sufficient detail yet without bewildering the reader with too much which can be the case with such a long time period with many complex especially geopolitical developments.