Books I Read In February

 Fiction

'The Lady from Zagreb' by Philip Kerr

I have lined up the last few novels by Kerr (who died in 2018) featuring his German detective of the 1930s-50s, Bernie Gunther. This is the tenth in the series and like many of the others, jumps between wartime and post-war happenings. While it is common for us to know that in almost all detective novels, the detective will live beyond the end of the book, this approach does mean that even when they are facing serious jeopardy, as Gunther does in Switzerland in this novel, we know they have survived the incident largely unharmed.

Living in southern France in 1956, Gunther sees a movie featuring a (fictional) actress, Dalia Dresner, of Croatian extraction, with whom he had a sexual relationship in 1942-43. At first we seeing him dealing with an assignment to investigate the use of a house in Berlin by the SS for the daughter of the man it was taken from. That first case has a real hard boiled feel to it, but tapers off. Still it does provide information and contacts useful for the second case when he is tasked by Dr. Josef Goebbels controller of movie making under the Nazis with finding the actress's father who is in the collaborationist state of Croatia. The action in this novel is broken by Gunther going off to investigate the Katyn Massacre which featured in the previous novel in the series, 'A Man without Breath' (2013) which I read when last going through Gunther novels back in 2016: https://rooksmoor.blogspot.com/2016/02/the-books-i-read-in-february.html

Despite this fragmented nature and the fact that a beautiful actress would fall in love with a grizzled police officer almost twice her age, the story is interesting. Travelling to Croatia and Switzerland allows Kerr to show us different countries' experiences during the war and the inter-play between different nations police forces. His portrayal of the landscape of these two countries, complements that of the luxurious houses in Berlin which feature when he is in Germany. The manipulation of Gunther whether directly or indirectly, is well handled and credible. I was successfully misled in that regard, though other readers may spot this sooner. While at times credibility can be stretched, for the main this is an engaging mystery story, as always with Kerr, effectively grounded in the times and places he is showing.

'The Second Sleep' by Robert Harris

It is certainly challenging to guess what Harris will write next. While he has produced a number of historical novels set during the last days of Republican Rome and before and during the Second World War, he has largely adhered to straight historical fiction. His most famous book, 'Fatherland' (1992) which was an alternate history book featuring a Nazi victory, was really his only one which diverged from historical fiction. In contrast 'The Second Sleep' is a post-apocalyptic novel, set in the 2800s. Society has returned to the industrial level of the mid-18th Century, with water-powered factories being the highest level of sophistication.

We are not told what the apocalypse was but Harris shows concerns about how much knowledge depends on the maintenance of electricity and internet access, very timely given we lost internet access across our district this week and thus could not even contact people to report it. There are also indications of climate change. The novel takes place in Devon in South-West England but parakeets and even birds-of-paradise live wild in the countryside and the county produces bountiful red wine.

A Christian church is largely in control of English society (Scotland is once more a separate state). It has some elements of Catholicism such as clerical celibacy and the use of Latin, but also of the Church of England, i.e. it uses the King James Bible and the head of state is the head of the church rather than this residing with a Pope. Investigation and discussion of the remains of the pre-apocalyptic society are treated as heresy and this is at the heart of the book. Christopher Fairfax is sent to a small Devon village following the death of the local priest and discovers that the dead man had an enduring interest in the preceding society and what might be a refuge of the last of those seeking to maintain an industrial England.

Obviously there are lots of parallels to 'A Canticle for Leibowitz ' (1959) by Walter M. Miller Jr., though, unlike that book which covers many centuries, Harris's is on a much smaller scale, confined to a small village and its neighbouring market town. This helps in him drawing the characters richly and the inter-play between Fairfax, Lady Durston and Captain Hancock, a local industrialist, is well handled. Harris was looking to draw on the work of Thomas Hardy (even naming the post-apocalyptic county, Wessex) and there is also the flavour of Jane Austen novels too. In that he succeeds. However, the book falls down at the last. I have often noted that Harris struggles with endings. This is also notable in 'Fatherland' and 'Enigma' (1995) and in fact the screenplays of these two (1994; 2001 respectively) handle the conclusions better than the novels did. The same happens here, it is almost as if Harris runs out of steam. There is a great revelation and then it just halts where another author would have given something more satisfactory or at least more conclusive.

'Dinner for Two' by Mike Gayle

This is quite an insubstantial novel. It seems in part autobiographical featuring a music journalist then agony uncle (a role Gayle has held), Dave Harding, who like Gayle is black. He lives in London in the early 2000s. Not a great deal happens. His wife Izzy has a miscarriage and Harding is contacted by a 13-year old girl, Nicola, who claims to be his biological daughter as a result of a one-night stand while Harding and her mother were on holiday in Greece. Much of the book is taken up with Harding angsting over whether it is right for a man to want to be a father the way some women yearn to be mothers. Then there is thinking about revealing Nicola to Izzy and being in touch Nicola's mother. Caitlin. It is padded out with mildly witty articles that Dave writes for various publications and his comments to women about what men are thinking. I was surprised Dave does not get more into difficulty as a result of meeting a 13-year old girl, on occasion playing truant from school, for a number of meals and drives in his car. Izzy and Caitlin also seem much too easily accepting of the situation. I have a sense that Gayle has written a book on how he wishes people would behave when 'patchwork' families develop than is actually the case in UK society. In addition all the characters come over as very privileged and not facing any real challenges which makes it all seem like a 'feel good' fantasy. Maybe I should have expected that from Gayle's writing.

Books I Read/Listened To In September

 Fiction

'Resurrection Men' by Ian Rankin

This is the thirteenth book in the Rebus series and was prize winning. Unlike some of the recent preceding ones, this novel has energy. Rebus is sent back to a training college but is working undercover to find out about corrupt police officers. There is an air of uncertainty especially as the case the retrainees are given to work on is one Rebus knows and her does not know if he is as much under suspicion as the men they are working with. In parallel then overlapping, is the case handled by DS Siobhan Clarke. While not named on the covers in many of these stories she is as much a protagonist as Rebus himself. Rebus is still in his relationship with a curator, though a night-time encounter with her seems rather too convenient to be believable. There is quite a lot of tracking back and forth between the college and Edinburgh and Glasgow. Crime boss Big Ger Cafferty appears yet again though some of the focus is on one of his lieutenants. It gets a bit tiresome that he keeps on turning up. However, this novel is decent in terms of the doubts and self-reflection of Rebus and Clarke and how the different threads of the various stories come together.

'Fool's Errand' by Robin Hobb

This is the first of the Tawny Man Trilogy set in the same world as Hobb's Farseer Trilogy, the first book of which I read some while back: http://rooksmoor.blogspot.com/2021/11/books-i-read-in-november.html Indeed its protagonist is the man who was known as Fitz in that series, but 15 years later when, having renamed himself Tom after all the dramatic adventures of the previous books, is now living a bucolic life with his adopted son and the wolf he is bound to. Hobb's world has two kinds of magic that are genetic inheritances but can be accentuated through training. The Wit allows someone to bind with an animal and communicate with them telepathically. If not handled properly the person can lose themselves in the animal's identity. At the time of this book, the Witted are being persecuted and horribly executed. The other is the Skill which is another form of telepathy allowing sight, i.e. being able to "farsee" and communicate over distances. Tom probably has both abilities. There are also hedge witches with the ability to make charms to achieve low-level magic which actually works.

The first third of the book seems to be going nowhere. We see Tom's quite life while he is visited by various people from his past who know more or less about his history. Most important is the Fool of the title, who had that role at court, but has now reinvented himself as Lord Golden (many nobles names are characteristics such as King Shrewd and Prince Dutiful). He is a kind of alien with unknown abilities but probably a recurring role as a prophet who needs a catalyst in the form of Tom. This section of the novel is effectively a huge recap of the entire Farseer Trilogy which might be a bit tiresome if you have read it, but does mean if you are new from Hobb's work you can get up to (leisurely) speed with her world. Then the rest of the book is a mission into the depths of the country to track down the heir apparent Prince Dutiful who is Witted and has been lured away by a hunting cat.

Hobb has real skill in her writing. Whereas there are some familiar tropes, she has a deftness in turning in ways you do not expect, especially in extracting her protagonists from danger in credible ways. The relationships between the main characters, including Nighteyes the wolf, are handled very well when they are faced with a range of unusual and mundane challenges. In addition to the adventuring with questing and battles, and various bits of magic, it is these relationships which really bare you on in the story. There are no absolutes and even the 'good' characters are grumpy and flawed. I know some readers do not like protagonists who make mistakes, but I feel it means that you can feel you are alongside the characters even though they are existing in a very different world to our own. In addition, despite the fantastical setting there are parallels to our world, notably in suspicion and hostility to those who are seen as 'other' and in turn the negative integration which can make the oppressed become almost fanatical in their defence.

I do not have any more books by Hobb at the present, but if you are looking for well-written fantasy which is credible but not as bleak as grimdark, I can recommend this series.

'Mr. Commitment' by Mike Gayle

This is the second novel by Gayle. I read his first, 'My Legendary Girlfriend' (1998) back in 2016: http://rooksmoor.blogspot.com/2016/05/the-books-i-read-in-may.html Gayle was trumpeted as the male version of Helen Fielding in featuring in a reasonably light way novels looking at relationships in contemporary Britain (largely London). This one features Ben Duffy, known to his friends as 'Duffy' who is an unsuccessful stand-up comedian who aged 28 has been in a relationship with successful advertising executive, Mel for four years. They live at different ends of London and she asks him to move in with her and get married. Duffy spirals into lots of concerns about marriage, not really about commitment but about the trappings that come with marriage, such as consumerism and children. The novel is then a 'will they/won't they' back and forth with other options for both Duffy and Mel appearing. It is very much of the ilk of 'Four Weddings and a Funeral' (1994), though with a lot less humour.

Some reviewers feel Gayle has portrayed the male characters as stereotypically useless men. I would disagree as in fact this is one of the challenges, most of the other men in the book, seem to be fully in control of their lives and doing pretty successfully. Many of these kinds of books have a sort of 'soft' social class portrayal of a kind of middle class and people around the fringes, actually doing better than would be the case given costs and low salaries in London. Duffy flat sharing is a reasonable portrayal. Marriage itself comes over as a middle class activity and it is tightly associated with dinner parties and especially in this book visits to Ikea. This seems to be an inescapable context. Even 'Starstruck' (2021-2023) strays into this territory though it is a lot funnier. I guess this was the focus back in the 1990s and is coming around again after different portrayals like 'The Royle Family' (1998-2012) 'Gavin and Stacey' (2007-2019), and 'Two Doors Down' (2013-2023). I know I am comparing a novel to TV series but it does show how few relationship novels I read.

This was not a bad book though what it features was hardly unexpected. It would have been good to have included more humour. Possibly the best thing is it might make young men - though they are unlikely to read it - actually think beyond their immediate needs to their longer term and see that relationships can be achieved without having to buy into the whole 'kit' of middle class consumerism.

'The Montmartre Investigation' by Claude Izner [Liliane Korb and Laurence Lefèvre]

This is the third book in the Victor Legris series. Legris is a book seller living in Paris in the late 19th Century who is also an amateur detective seeking to solve local crimes before the police do. The two authors, sisters who are both Parisian booksellers, are very knowledgeable about France in the period. The book is lovingly detailed in describing all the different districts, their buildings and the residents. Though set in 1891, the fringes of the French capital do open quickly into farmland and an urban goatherd is an important character. The case starts with the murder of a schoolgirl from a boarding school close to Legris's shop which he co-runs with his aged mentor and step-father, Kenji Mori and their assistant, Joseph, an aspiring crime novelist.

A number of people are murdered through the book and Legris and Joseph, often working alone, wheedle their way into various locations to get to the bottom of these and indeed to see if there is a connection between them and what it might be. The first killing might even be a case of mistaken identity and as a result Mori's goddaughter comes to stay at the bookshop. There is a lot of following people around the streets of Paris. There is also a lot of visiting the nightclubs, notably 'Le Moulin Rouge' and 'Le Chat Noir', where the protagonists happen to run into every famous Parisian artist, writer and composer of the time, which does feel rather artificial. Legris's lover is a painter, Tasha and it is nice to see an amateur detective who is not celibate, even if his relationship is complicated. 

There is a lot of interest in this novel. The details of the settings and the people are fascinating. The murder mystery is pretty clever and not that easily to predict, but avoids deus ex machina being needed to resolve it. The prime drawbacks are that there is a lot of tramping around and the tone seems off. This may be due to it being in translation from French. Despite a series of brutal murders, starting off with a stabbed girl, the tone is persistently light. This is fuelled by quirky customers at the bookshop, Legris having women throwing themselves at him, Joseph's mother' Legris on-off relationship and Tasha's disapproval of his investigating and so on. It may have greater gravity in the original French, but in English, despite points of interest it comes off uncomfortably jarring.

'Half A King' by Joe Abercrombie

This novel is set in a different world from, 'The Blade Itself' (2006) which I read last month: http://rooksmoor.blogspot.com/2023/08/books-i-readlistened-to-in-august.html This one has a more Nordic flavour and focuses on states around the so-called Sundered Sea, a roughly circular sea with rather bleak moors, forests and fens around it and various cities on its shores. It focuses on Yarkvi, the second son of the King of Gettland who was born with a withered arm with only a thumb and one finger on his hand. With his father and elder brother dead, he is called back from training as a Minister - a celibate kind of combined herbalist, diplomat, advisor, order to be king. On a revenge mission to a neighbouring state his uncle attempts to kill him and takes the throne. Yarvi survives but ends up as a galley slave, then later escapes with others from the galley to make the arduous journey back to Gettland to recover his birthright.

Though Abercrombie aimed for this to be a young adult book; a little less 'grimdark', and it is a bit shorter than 'The Blade Itself' and much shorter than later books in that series, it is still pretty much a gritty read, with lots of death and suffering along the way. The book is not high fantasy and at times if someone told you it was set in genuine Nordic history you could almost believe it, including when a One God is put in place over the 409 gods worshipped before. With uncles and a widowed mother in a Nordic realm, there are heavy overtones of 'Hamlet' (1601). The portrayals of this bleak context are well done and the action moves along briskly. The portrayal of the characters is handled well and as Abercrombie notes in an interview at the end of the edition I have the focus on one point of view throughout and a small set of characters at any one time means the character development is rich. Some might foresee the twists at the end, but I found they were well handled.

If I see more books in the series I would certainly pick them up.

Non-Fiction

'What is History?' by E.H. Carr

This is a series of four lectures that Carr gave in 1961. Despite its age it has really stood the test of time (though it does refer to all historians as 'he' and talks about the USSR) in terms of its exploration of perspectives on history. It is a short book (159 pages in my edition) however covers a whole range of issues that still need to be thought about. Examples include whether anything in history is 'inevitable' and how historians are impacted by their attitudes of their own time when looking at attitudes of the past and whether we can ever be really objective. In some ways the book comes to a proto-Post Modernist approach which was to develop in the next thirty years, emphasising the looking at context rather than insisting that our perspective is somehow greater than others without checking this. He also points out how Western-centric so much of history is in the West and how this neglects histories that in the life of humanity have had huge impacts.

Despite its age, this book is very deft and putting questions that historians especially in the period of so much dubious 'history' appearing online, need to keep asking themselves and using to check their work. If you are interested in the study of history, I feel this book remains relevant especially in what it asks.

Audio Book

'The Collectors' by David Baldacci; read by Steven Pacey

This is the second book in Baldacci's Camel Club series. I listened to the third book back in 2020: http://rooksmoor.blogspot.com/2020/03/books-i-listened-toread-in-march.html It is typical of many of the CD audio books that seem to turn up in charity shops. The 'Camel Club' is a collection of misfit middle-aged and elderly men with various backgrounds largely in intelligence or the military who get wrapped up in conspiracies and solving crimes, led by Oliver Stone a former CIA assassin who now lives and tends a cemetery. In this one the gang investigate the killing of a librarian at the Library of Congress where one of them works and the assassination of the Speaker of the House of Representatives. There is a parallel story about a con artist and her gang ripping off an Atlantic City gangster, which overlaps with the main story as she was the former wife of the librarian.

There is a lot of chasing around Washington DC but the solution of what is going on is reasonably well handled.  Some of the technology, especially used in the con, seems dated, even for 2006 when the book came out. Unlike 'Stone Cold' (2007) which I listened to back in 2020, the language is a bit less tough-guy throughout and it is more a gang of quirky sort-of amateurs solving what is going on which turns out to be spying and treason.

Pacey does well with a range of distinctive American voices and is not bad with the few female voices that appear. This is not the sort of book that I would have gone out and bought but it is fine enough for listening to while commuting.

The Books I Read In May

Fiction
'The Man Who Would Be King and Other Stories' by Rudyard Kipling
In many ways I should not have been surprised by this book.  I know Kipling as an author of stories set in British-ruled India; it was published first in 1888.  Though I have not read any of his books before, I have seen movies of 'Kim' (novel 1901; movie 1950) and the movie of the main story in this book released in 1975; I have seen extracts of the cartoon version of 'The Jungle Book' (stories 1894-5; movie 1967 and 2016).  Perhaps, as a result I expected more action and even humour from this collection of short stories.  The humour that is tried seems very contorted and specific to a very particular time and place. I could imagine it would not have gone down well even with readers of the time who were not associated with colonial rule in India or with the military.  Overall in the first part of the book in particular, you get a very narrow focus and a great deal of repetition.

Many of the settings in Simla, the hill town that British officials, officers and their families would retreat to when the plains of India became too hot.  They are largely set in the 1880s and the first third of the book features stories primarily about extra-marital affairs rendered in similar ways. They are largely tedious and made inaccessible for a modern reader by a combination of Victorian grammar and slang mixing both English and pseudo-Hindi terms.  As the book progresses there is a move to ghost stories which is an improvement, though the first of these, 'The Phantom 'Rickshaw' itself stems from an extra-marital affair.

There is the eponymous story but it is presented very differently to the movie in that we only hear it third hand with one of the heroes recounting it to a British journalist in central India.  It has all the elements but so far removed from the action lacks a sense of tension and conversely is rushed.  There are three stories about various adventures, misadventures and poor treatment of small boys which may have been Kipling reflecting on his own childhood and probably was an element of him preparing for 'Kim' and 'The Jungle Book Stories' but lacking the charm of those; the confused battle involving two drummer boys, 'The Drums of the Fore and Aft' takes this another step.

You do learn quite a bit about this very small slice of British society abroad and even the geography of Simla and the surrounding area.  However, the short stories, even when trying to be humorous say very little.  I can contrast them sharply with the short stories of Herman Charles Bosman, best known for 'Mafeking Road and Other Stories' (1947) that my girlfriend is currently reading to me.  Now, these were published sixty years after Kipling's collection.  However, by focusing on rural Transvaal in the 1900s they provide a similar context of a small society in the latter phase of British imperialism, with a mixture of specific slang, in this case old Afrikaans words.  Yet the quality of Bosman's short stories put Kipling's in the shade.  Bosman is able to take the small incidents that appear in the restricted context and turn out both humorous and wistful stories that are excellently crafted.  Having both books on the go at the same time has shown me the poor quality of this particular collection of Kipling's.

'The Piper on the Mountain' by Ellis Peters
This was one of six novels written by Peters not featuring the 12th century monk Brother Cadfael.  The book was published in 1966 and sort of centres on the amateur detective, Dominic Felse.  In this story he is a 2nd Year undergraduate English Literature student at the University of Oxford.  He gets drawn into the investigation by 1st Year student Theodosia Barber (affectionately known as 'Tossa'!) into the death of her former step-father while walking in the Lower Tatra Mountains of Slovakia, at the time in Communist Czechoslovakia.  Though the Cold War was in full flow when the book was written Peters seemed to expect growing detente.  The story, while in London and Oxford is perfunctory, there is nothing to really show you the time or the place and it could be any one of a hundred novels of this era.  It becomes far better when Dominic and Tossa go on a touring holiday with other students, female/male twins.  Peters really conjures up the setting of that area of Slovakia; its wildlife and people, while avoiding stereotypes.  She seems far better informed about this rural region than she does about towns in Britain.

Though there is a death and a murder, this is really more like a spy adventure featuring bright young things, charging around.  The story effectively becomes a modernised Dornford Yates (1885-1960; published 1914-56) book, especially the Richard Chandos stories (published 1927-49) which were often in Central Europe.  Peters does well to produce a sense of jeopardy, which shows how people writing short (it is only 162 pages), adventure stories can do this, something lacking in spy stories I have read recently.  The twist is pretty good.  In many ways it was an old fashioned story even at the time it was written, but if you are willing to accept it, that is fine.

The main flaw in the early part of the book is that Peters jumps between a number of points of view, sometimes even on a single page.  It is only after the halfway point that Felse becomes the clear hero, that this situation settles down.  I am surprised an editor did not pick this up at the time.  It is not a bad book and the scenes where the heroes are pinned down by a sniper are handled notably well.  I do not expect to be stretched by the other five books, but I certainly will not throw them away at this stage.

'Mourning Raga' by Ellis Peters
This is another book by Peters featuring Dominic Felse and Theodosia Barber who are now girlfriend/boyfriend and a further year on at University of Oxford.  Being in the mid-sixties (the book was published in 1969, which being three years after the first book they would have finished their studies by now if it was contemporaneous) they do not sleep together.  Peters is able to produce a sound reason for sending them to New Delhi to accompany the 14-year old half-American/half-Indian daughter of a movie star back to her father in India.  The girl, Anjli, is kidnapped and the bulk of the story is about recovering her.  There are numerous big male Indian characters whose personalities dominate the book and push Felse and Barber into the background, it is far less their story than 'The Piper on the Mountain' though perhaps that was intentional to have Indian characters in the lead.  While Peters does draw characteristics of different types of Indians, notably contrasting Punjabis and Bengalis, she does seem intent to show India as a modern country.  As in the previous novel she clearly knows her location well and gives immense detail of New Dehli, not simply the tourist sites but how it was growing and developing in the 1960s.  It is a twisty plot and at times the number of characters can be a little overwhelming.  This is not aided by her repeating the tendency from the previous book of abruptly switching points of view often on the same page and you can be uncertain whose eyes you are seeing through, further adding to the two 'lead' characters seeming to be pushed into second place.

Despite the references to fashion of the late 1960s, this feels like a modern book which you could present as a television drama now.  I admire the effort Peters puts into the panoply of characters and her largely avoiding taking a Western-tinted view on India.  However, this would have been a more pleasant read if she had kept tighter rein on the perspective.  I know it can be useful when trying to put twists in the plot, but by the closing chapter you are left rather breathlessly bewildered.  I suppose for a mystery writer that is not too bad a thing, but as a reader despite this being a short book (159 pages in my edition) you have to really pay attention.

'Nine Tomorrows' by Isaac Asimov
I have not read any books by Asimov before even though he published tens of them.  I think I was put off by expecting them to be very much 'hard' science fiction about pondering the vastness of space in dreary spaceships.  This is a collection of short stories originally published 1956-58.  They compare favourably with the John Wyndham collection of roughly the same era that I read last month.  On occasion there is a feeling that they are dated, especially in referring to miniature film and taped books, though these would have seemed feasible even just twenty years ago.  Indeed the development of computers on to molecular processing still seems ahead of its time.

Some of the concepts Asimov covers have become very common in writing since he explored them, but I think it is his skill as an author that keeps them seeming fresh in how he looks at them.  He does ponder big issues but without the stories becoming ponderous in the way I feared.  'Profession' looks at young people in a society in which your profession is decided, a theme taken up in many dystopias and indeed had featured in 'Brave New World' (1931) well before this story.  Yet Asimov shows the challenges of this approach and what a society might need.  'The Feeling of Power' could easily be produced today and actually echoes something I have experienced in the past two years.  With a long-running interplanetary battle reaching stalemate, the humans come up with a new 'invention' that rather than relying on computers to calculate everything humans can be trained to do it, so introducing elements to thwart their opponents and at a cheaper price. A couple of years ago, I was challenged to do some cubed numbers in my head and did them faster than a colleague could type them into their phone, so this kind of issue remains current.

There are a couple of almost science fiction detective mysteries.  'The Dying Night' is clever in that the murderer is detected as a result of the behaviour they exhibit resulting from the planet in the solar system they have been based on.  'I'm in Marsport without Hilda' feels more dated really in the way it shows the investigator having an extra-marital affair rather than how he decides which of the three businessmen is a drugs smuggler.  I wonder if there are other such detective/SF crossovers; I can only really think of 'Do Androids Dream of Electric Sheep?' (1968).

'The Gentle Vultures' with its obsession with nuclear war might seem dated, but it does provide an interesting alien view of Earth, different to those who simply come in peace or those who just want to conquer and is good at getting the alien mindset across.  'The Troubles of the World' turns out to be cleverer than you might first expect.  It seems to combine aspects of what would had featured two years before in 'The Minority Report' (short story 1956; movie 2002) with something like the computers in '2001: A Space Odyssey' (novel and movie, 1968) and 'Dark Star' (movie, 1974).  'Spell My Name with an 'S'' again shows its age because of Cold War references but also establishes tropes that now often feature in science fiction about how destined we are to live a certain life, whether out future is predictable and if a small change can bring about a very different outcome; the 'Back to the Future' movie trilogy (1985-90) is just one among many that build on those questions.

'The Last Question' is a bit more of what I expected - big questions about the universe across millennia and a rather trite ending.  'The Ugly Little Boy' about snatching people and objects from the past to study them in the present is another theme which is now common but fresher when this story was written.  Towards the end you might expect the outcome but it has a welcome humanity about it.

Overall I was presently surprised by this collection.  It was not as heavy or gloomy as I had anticipated and Asimov shows off a skill in short story writing that maybe contributes a great deal to that.  Even though the collection is now so old, it still has a lot to say to many of the issues we are facing today as all the best science fiction does.  I certainly am more likely to pick up an Isaac Asimov book if I come across one in the future, especially if it has short stories rather than a full novel.

'My Legendary Girlfriend' by Mike Gayle
This book published in 1998 was billed as a male version of 'Bridget Jones's Diary' (1996),  There are similarities.  One is that it is broken up in chronological chunks, though unlike Helen Fielding's book covering months, Gayle's does it over a matter hours stretching from a Friday afternoon through a weekend to a Monday morning. This is part of the problem with the book and makes it unattractive.  It is horribly claustrophobic.  The lead character, Will Kelly spends a lot of his time in a shabby flat which he takes no care of, with brief journeys to convenience stores and a pub in the Archway area of London and to Highgate Cemetery with unpleasant or desultory interactions with almost everyone.

A lot of the book, as the title suggests is about relationships.  He has lengthy telephone conversations with a range of people, not many of whom are sympathetic characters.  The lack of other social media dates the book.  Kelly obsesses over the girlfriend who dumped him three years earlier, after three years together; the anniversary of the relationship is on his birthday, the Sunday of the weekend.  Though it is a short book (215 pages in the edition I had which has very small type), it drags terribly.  You become angry with Will Kelly for being such a slob and being so lazy with his life.  Unlike with Bridget Jones, there is very little humour in the situation.  Perhaps, Gayle, being a former agony uncle felt unable to raise humour from problems facing many young people in London, notably appalling accommodation at expensive rents and the loneliness especially in Britain in which people are so busy 'networking' that they have no time to be with their 'friends'.

The ending is rushed and has a resolution which seems incongruous given how gloomy the rest of the book has been.  You may say I would have enjoyed it more if I had read it when in my 20s, but I think it would have been impossible then to face up to this story which echoed so much of the problems of my own life and without the happy ending that Kelly gets.

'Harry Potter and the Prisoner of Azkaban' by J.K. Rowling
By the third book in the Harry Potter series you feel that Rowling has really got into her stride in writing novels and this is very polished, especially if set alongside the first book.  For those, like me, who know the Potter stories best from the movies, this one diverges even more than the previous two.  The broad outline of events are the same, but many of the details are very different.  In some ways I think the movie line is less jerky and makes better use of the time travel aspect.  The climax with Harry, Ron and Hermione finding out who is lying is much messier in the book and leaves you rather confused; it is clearer in the movie.  The Divination teacher, Sybil Trelawney, gets a far bigger role in the book than the movie and she predicts many things accurately, to some degree putting Hermione in a dimmer light than she otherwise has.  Her classroom is also very otherworldly in the books.

Overall, the flavour of this book is darker than the movie version.  This gets you ready for the aspects which become increasingly apparent as the book persists.  The complexity of adult relationships, notably friendships, is not skirted over.  The dark flavour is added to by the fact that the humour of the movie is rather overshadowed in the book and as before, Harry's treatment by the Dursleys, however much light is made of it, still grates as abuse.  I suppose this is somewhat of a plot device to make Harry happy to spend more time at his boarding school, even during the holidays.  As before in the books, the working of the school seems to be Rowling's central focus, much more than is apparent in the movies.  In particular in this story where the climax is a revelation rather than battling a monster, what is the focus on action on screen, is only a small piece of the book and indeed the aftermath continues well after this climax is concluded.  I enjoyed the book but am increasingly conscious that I am reading what is primarily a school novel rather than a fantasy novel.

Non-Fiction
'The Knight and the Merchant' by Grant Uden
In my childhood in the 1970s school libraries often had many books written in the 1950s and 1960s which featured great people and great events of history.  Some would have a fictional story involving children encountering these people or being present at the events.  With an eagerness for history I was often directed to read such books.  I remember 'The Grey Apple Tree' by Vera Cumberlege (1965) about the Battle of Hastings and the work of Geoffrey Trease, unsurprising given that he published 113 books in a career stretching from 1934-97.  Also numerous were books which lacked the fictional element and were a biography of some famous person's life.  However, even in these, the language was often very descriptive and at sometimes bombastic and even a little jingoistic, in a way referencing the sense of 'New Elizabethan' Britain of the 1950s and 1960s, proud of its history but looking to the future too.

My copy of 'The Knight and the Merchant' (1965) certainly fits the latter pattern.  I see that it comes from a library and has been cancelled.  Where I got it from, I have no idea, perhaps from a jumble sale at a school.  The book narrates in rich terms, the lives of Anthony Woodville, 2nd Earl Rivers (1440-83) and William Caxton (1421-91).  Woodville was very much involved in the Wars of the Roses and became brother-in-law to King Edward IV (1442-83; ruled 1461-70 and 1471-83).  Both men had very interesting careers which is presumably why they were selected.  The Woodville family rose from being poor knights to serving the king directly.  Anthony was involved in battles of the Wars of the Roses, but was also a keen jouster and later a vigorous pilgrim.  Caxton was a successful cloth merchant who lived in Bruges for much of his adult life and became the leading representative of British merchants in the Low Countries.  He attracted the attention of the court of the Duke of Burgundy and through this of Anthony Woodville.  Caxton changed career at the age of 50, setting himself up as a printer in London and some of his early work was commissioned through Woodville.

Various incidents from the lives of the two men, especially when their paths crossed.  Through it we learn a lot about the Wars of the Roses and life among the merchant and noble classes of 15th century England and the near Continent.  It does not pull its punches in terms of death and execution.  However, it is written in a style that really carries you along.  It is reinforced through quotations taken from texts of the time.  As a popular history book, despite its age, it works well and very effectively highlighted some facets of late medieval history that I was not overly familiar with.  I certainly feel I have a better grasp of the Wars of the Roses and indeed of early printing in England and I guess that was the point of the book.

'The Fire and the Rose' by Arthur Bryant
This is a digest of chapters from a number of history books written by Bryant in the 1960s.  This edition published in 1972 was offered as part of a promotion by Shell petrol stations, March-May 1972.  It may have come from my grandfather who enjoyed popular history books and getting deals from petrol stations; I still use plates he got through petrol station promotions in the 1980s.  Bryant like Uden is part of that mid-20th century tendency to try to interest the general public in history through presenting it as dramatic narrative.  Bryant takes less of a patriotic approach than the Shell packaging and seems influenced at least to some extent by the 'everyday history' approach which reached its zenith in the UK in the late 1960s and early 1970s.

Despite all the chapters being written by the same man, they vary considerably in quality and interest.  The chapter on the escape from Dunkirk by the British and French forces in 1940 is the weakest, saying very little about what happened or why, just going on about the psychological impact which Bryant sees as the basis of the Allied victory.  The chapter on the Battle of Crécy and the one on the Peasants' Revolt of 1381 are both good in concisely giving the background, in the first in military developments in the second in terms of socio-economic ones, that allow a good understanding of why the outcome was as it turned out.  The narrative carries you along without being melodramatic. The same can be said for the chapter on the 1842 northern uprising a less well known element of British history, but here giving the context of deprivation in factory towns it is comprehensible and the changes Bryant shows it initiated might be unexpected.

The chapter on the escape of King Charles II could have been engaging but really becomes a list of locales he visited.  It is interesting to see how far he ranged.  The blind obedience to him by Royalists and his minimal concern about the fate they might have faced for aiding him is galling for a modern reader.  The fact that he let them kiss his hand as a supposedly fine reward, sums it up.  The chapter on the Great Fire of London from Samuel Pepys perspective is alright, though really tells us more about Pepys the philanderer than the course of the fire, though it shows the impact clearly.  The Retreat to Corunna chapter is the longest.  It raised the perception of the commander Sir John Moore in my eyes.  It is highly disparaging of the Spanish and Portuguese being overly obsessed on martial spirit.  It portrays the very bleak circumstances of the country and the retreat but detached from how people behaved as a result.  The chapter on the Battle of Waterloo is reasonable and brings out how close the British, if not the Prussians, came to losing.

Overall a curious book that would not be produced nowadays and certainly would not be promoted by petrol stations, whether patriotic or not.  There is some good historical writing here but on occasion too many of Bryant's hang-ups intrude and weaken significantly chapters that could have been far better.