An Atlas of Imaginary Places 12: More Underground

Last month I commented on some of the many uses of the approach of the London Underground map styling sometimes controversially, for art as well as for for illustrative purposes. Particularly relevant to today's posting I noted how it was used for also presenting conceptual things, links between intangible aspects as well as more solid ones or places. I came across the image below on a leaflet from the British Council, an organisation which promotes British interests and culture in foreign countries. I found it on a train and it is actually for foreign students who come to the UK about how they can find work in this country and is produced by a range of ministries including the Home Office which deals with immigration. Clearly they adopted a London Underground style as they thought it would be one that would be familiar to students from aborad and they have used the London Underground colours (and the grey for the mainline train services) and at the same time created a UK logo. However, aside from having an airport symbol by Tourism, they seem to have stuck the titles on the map at random. Just follow the Northern Line (black) it goes through Spanish, Dentistry, Medicine and Art. I could accept the middle two being connected, but not the other two; Podiatry is not connected to Medicine. Spanish is connected to Greek and Arabic by the East London Line (orange) and Horticulture to Agriculture by the dark red line (which does not have an equivalent on the London Underground; the brighter red running from Media to Film Studies is the Central Line) but not to Garden Design or Floristry. Art is connected to Media and Ceramics but divorced from Textiles, Performance Art and Drawing. Accounting, Finance and Banking are all on different lines. It is not clear if they meant the 'stations' to refer to courses these students were taking or careers they might secure either. It is an interesting 'map', but with a little care they could have made it much more relevant. Note that the partial words on the edge of the map appear like that on the original. I think it is 'Geography' on the far right as Geology already appears on the map. I do not know what the 'ction' is the tail end of on the far left, but I would guess it is supposed to be Construction.

British Council Student Employment 'Map' (2007)

Atlas of Imaginary Places 11: 'Tube Maps'

As previewed in the previous posting, this one is looking at alternate London Underground maps. I have featured some like 'The Great Bear' and the Gallifrey one in August 2007. This posting has some more including a more thorough German translation one rather than the semi-English/semi-German one I have shown before, though I like the counter-factual implications of that one.


This is the one that got me started, a postcard from the city of Bath in western England. Given that the city is over 2000 years old, it seems odd that they portray it in this modern way. This postcard makes it seem a lot larger than it actually is. It is a very picturesque place with Georgian architecture and extensive Roman remains. One could easily envisage a Bath Below given how much stuff is buried there going back so many centuries. Maybe Neil Gaiman will consider it.

City of Bath 'Underground' Map

I have removed this image as a result of a copyright challenge.

Having seen this, I wondered if other cities had done the same. There were a few from US cities but nothing which leapt out and instead I began encountering the underground map used in different ways. Before progressing, I will show the earliest version from Henry Beck in 1931 which actually shows how much it has progressed. The style today actually looks more 1960s with 1980s overtones than anything from the 1930s despite the emphasis on continuity.

London Underground Map by Henry Beck

This one was designed for a book called 'Transit Maps of the World' (2007) by Mike Oveden and gives some indications of airline links across the world.

To some extent it is rather like those maps which show contries by the magnitude of something that they are involved in such as consumption of electricity and you see that Spain and Portugal for example are portrayed about a third of the size of the whole of Africa and similarly the Middle East is extended, in both cases reflecting the amount of airline traffic iin comparison to the geographical sizes of these regions

London Underground Map in German

This is the promised one more properly rendering the stations into German. Though this then makes it appear more like just a tourist tool than the implications of a collaborationist regime in the style of 'SS-GB' or perhaps 'When William Came' suggested by the less thorough one I have shown before. I guess for all British people showing familiar things in German still has echoes because even the current generation often defines itself in reference to being opposed to anything German despite the fact that most grandparents were only children when the last war against Germany finished.

Now, I move away from the geographical to the intellectual. The London Underground styling is often used almost like a mindmap to illustrate in a somehow tangible way things which are really intangible. The simplest one I have found is this one which almost seems to be axes of taste in culture:

Understated Tube Mind-Map

This one is reminiscent of those maps that look like ones of fantasy worlds but in fact show groupings and developments on the internet. This one shows what are seen as current trends in global society and how they inter-relate to people. It has Chinese characters, which in itself can be seen as a trend, but may also hint at a source. It is interesting that whoever it came from is less imbued with the fantasy map background and clearly is more familiar with the portrayal of actual cities. Perhaps by adopting this style they felt it would gain more credibility than a fantasy-style map. Looking at it, it does not resemble the London Undeground map but one of the maps from other cities like the Paris Metro system or most likely a system in Beijing or Shanghai.

Trend Blend Urban Transport Style Map (2008)

The following one is similar but again focused purely on the internet and seems closer to the London Underground mapping. I do wonder if in 2008 that this style is seen as cool and serious compared to the fantasy world map style of the past few years that were used to illustrate such things.

Web Trend Map (2008)

Rather than go with one of the numerous music style maps which I know less about, though I may come back to them in the future, I was attracted to this one from the Royal Shakespeare Company. It is reminiscent of 'The Great Bear' and that might be indicated by the title they have adopted. It features Shakespeare characters and the mapping to some extent shows the relationships between them. I must say this is one of my favourites and it goes beyond the simply conceptual basis. I also like the little icons next to some of the 'stations' too. I would love it if the underground stations were labelled by Shakespeare characters. Given that the main point of access for millions of people each year to poetry is simply by the Poems On The Underground scheme which started in 1986 (it means poems are put up in advertising slots in underground train carriages), then why should not more of their journey be influenced by literature?

Greater Shakespeare Underground Map

This final one is just a comic one, substituting various foods ('grub' is an old UK slang term for food) for the underground stations. I do wonder why Transport For London went after the Geoff Marshall one and not this one which in my mind could appear more insulting, though in fact I feel they are all delightful and bring attention and respect to the London Underground system and its iconography.

Undergrub Map

The Black Riders of the Internet III: Not Going Underground

This posting spins off from me doing one of my intermittent searches of the internet for interesting maps. As you will know I do not do this as assiduously as bloggers such as Strange Maps but it does give me pleasure to collect together interesting samples in this kind of scrapbook of a blog that I run. Having seen a postcard from Bath which portrayed that city as if it was the London Underground system I went in search of other locations which might have done this. Back in August 2007 if you look on my 'Atlas of Imaginary Worlds 5' posting you will see a couple of examples, including the underground map being used as a piece of art work, 'The Great Bear' produced in 1992. Since then lots of people have used the structure of the map for highlighting various things and I will show some examples in the posting which follows this one. However, this posting is about what else that I found out. As with many issues I came to this a couple of years late. It is about internet censorship, something else I posted on twice last August with two postings titled 'The Black Riders of the Internet' which detailed how lawyers are rampaging around the internet especially looking for maps of the world of 'The Lord of the Rings' and shutting down websites which feature them. These sites are run by fans not by profit-making organisations; no-one was trying to sell these maps. Yet, for the lawyers they would rather squash the enthusiasm of fans in an incredibly heavy-handed way and no doubt for a fat fee, so actually damaging rather than aiding the Tolkien estate.


I encountered the same thing when I was looking at maps which borrow from the London Underground map. Loads of people do this there are ones, in particular, featuring different music genres. Yet lawyers, Healeys Solicitors, on behalf of Transport For London the body which now runs the London Underground targeted one of these. The man they targeted was Geoff Marshall who just like 'The Great Bear' by Simon Patterson, took the map and simply altered the labels for each of the stations. What was clever, as you can see below, is that he made anagrams of the original station names. This in itself must have taken ages especially to come up with so many coherent names. Geoff was a real fan on the underground system and an advocate of its usage. However, the pressure from the solicitors back in March 2006 led him to turn completely around and now he drives everywhere in London. Many organisations face spoofs of their advertisements, I recently featured a whole slew of them around Absolut vodka's advertising, many of which were pretty offensive. In contrast Geoff was just producing art work based on something he loved. Of course in contemporary UK to go against the desires of the rich even to produce art is now illegal. Corporations seek to control every minute element and by doing so are stamping on our contemporary culture. What would have happened if Andy Warhol had been censored by soup manufacturers or by Chairman Mao or Marilyn Monroe?


Anyway, below is the excellent picture, please copy it and spread it so far around the internet that we can contest the censorship which is going on. There are so many evil things on the internet, including images, that no-one lifts a finger to stop, that it seems criminal that instead they spend so much effort to crush enthusiasts and fans and artists. If you are interested in others visit:

http://ni.chol.as/media/sillytube.html or http://www.steveprentice.net/tube/TfLSillyMaps/

In fact many featured there are not silly and show things such as stations with wheelchair user access and where the toilets are, which as someone who used to travel 2 hours per day on the underground, I know can be vital.

Anagram Map by Geoff Marshall (2006)

An Atlas of Imaginary Worlds 5: Worlds Beside Our Own

Having span off into the world of the Hollow Earth, there remain a couple of worlds set on or rather beside the Earth we know that I thought were worth mentioning. The first comes from the movie 'Time Bandits' (1981). This was produced by former Beatle, George Harrison and written by Michael Palin and Terry Gilliam (who also directed it) who had been in the cult comedy 'Monty Python's Flying Circus' and in spin-off movies like 'Jabberwocky' (1977) and 'The Life of Brian' (1979 - which has gone from being condemned by Christian groups as ungodly, to now since even the early 1990s having clips used in children's history programmes about the Romans). Most of the 'Pythons' attended with Oxford or Cambridge university, one of them, Terry Jones, since 1984, has been writing books such as 'Chaucer's Knight' (1984) and producing programmes on medieval history and Palin has gone on to be a successful adventurous travel writer with books and programmes amongst others, 'Around the World in 80 Days' (1991), 'Pole to Pole' (1992), 'Sahara' (2002) and 'Full Circle' (2004) so their historical facts tend to be very solid as can be seen in their films).

Anyway, 'Time Bandits' is a popular blog topic. It is really a children's film about an English boy from 1981 called Kevin and 6 dwarfs who work for the 'Supreme Being' and have a map of flaws in the universe which allow them to jump through time and space on Earth. Portals open up for a limited amount of time, giving an urgency to their explorations as seen in this blurred image from the movie:

They are supposed to be repairing them, but use them to go round stealing treasure. The map they use is bigger than any one of them and I think some of the appeal of it, is its aesthetic. It looks as it should, cryptic and mystical, but practical too, though with potential for misinterpretation. Below are some images of the map as seen in the movie and now available to buy. The fact that people still want it 26 years later, suggests it has a pretty iconic status. Like a lot of Gilliam's work, notably 'Brazil' (1985), 'The Adventures of Baron Munchhausen' (1988), 'The Fisher King' (1991) and his abortive Don Quixote film, it is about preserving fantasy and excitement in a world obsessed with rationality, and especially in 'Time Bandits', consumerism. In Gilliam's view, it appears such ability to engage with the unreal is what keeps us free.

The map as seen in the movie:

This one was a similar map produced by the artist Jennifer Diane Reitz in the early 1980s. See: http://www.pasteldefender.com/news.html for more about her and her work, a lot of which falls into fantasy categories:

I had hoped to be able to find a Neverwhere map. 'Neverwhere' (1998) was by Neil Gaiman, the (graphic) based on a television series by him (and the comedian Lenny Henry) of the same name in 1996. It envisages a parallel world within London; London Below. All those mysterious doors you pass that no-one ever seems to open or those windowed spires on the top of Victorian buildings, actually go into this different world, inhabited both by tribes of homeless people and by fantastical creatures. All the places on the London undeground map relate to real things so an earl has a court at Earl's Court, there is a black smith at Hammersmith, there are black friars from Blackfriars (and the female vampires, the Velvets come in, as in The Velvet Underground) and there is an angel at Angel Islington and so on. I know there are lots of closed down stations on the London underground, but I suppose Gaiman's Neverwhere map would be the same as the London Underground one anyway. So I found some other unusual or faked underground railway maps, including one for the planet Gallifrey the home planet of the Doctor in the television series 'Doctor Who' (intermittently 1963- Now). The first is a map which shows the geographical rather than schematic map of the routes which usually is seen. Another one to look out for is 'The Great Bear' (1992) by Simon Patterson a conceptual map based on the traditional London Underground map outline:

The final one for now is a 'map' that seems to be all over the internet maybe influenced by the very speculative ones drawn by explorers in the 19th century, but certainly one which could provide a model for those seeking to create fantasy world maps now. Note both the inland sea and the northern mountains and wastelands:

On reflection, though, I think that this was not supposed to be satirical in the way it now seems to be portrayed, rather it was probably an aide-memoire for Victorian children to show them the generic elements of what they would find on a map. However, it would be tempting to write over the labels and use it as a fantasy world.