Back in 2008, I wrote about television programmes which took ordinary people and had them live for a time as people in a particular time period: http://rooksmoor.blogspot.com/2008/09/why-tv-historical-settlement-re.html Since the 1970s this has been a increasingly popular genre, one that in turn fascinated and horrified me. My key problem with the programmes was that the people who had been selected to participate often could not cope at all and either constantly whined about being separated from their boyfriends or sneaked in anachronistic make-up, or conversely, in a high status role, used their position to lord it over others. There was a constant demand for modern day attitudes and the respect of the 'me first' behaviour so prevalent in today's society which led to the break down of scenarios in which people had to buckle under, and, vitally work incredibly hard, far harder than the vast majority of people (at least in Western society) work today. To some degree it led me to wonder if what was effectively turning into a 'Big Brother' television style of historical programming was going to grind to a halt.
Even while I was writing this, creeping up, hidden away on channels like BBC3 which at the time I could not even receive, was a new approach which I believe has clearly addressed the sort of concerns I raised back in 2008 and has thus allowed fascinating and highly informative re-enactment programmes to be produced. This trend has saved the genre, and, importantly, has provided accessible historical programmes, something we always need. The last of what I see as the old format of re-enactment series, which began with 'Coal House' (2007), 'Coal House at War' (2008) and now 'Snowdonia 1890' in northern rather than southern Wales. I guess given that these are made by Welsh television and people, certainly in the first two series are living where some people who really experienced the events of 1927 and 1944 which featured in the series, there is a bit more gravitas, though not having seen much of the series I can comment for sure.
Of course, some programmes, have gone down the more 'game show' approach, shifting from one popular approach, the 'Big Brother' one to a more directly competitive one. The extreme example is 'Ben Fogle's Escape In Time' which ran initially in July 2010 in which two families were based on the Acton Scott farm, which was featured in the documentary series, 'Victorian Farm' (2009) and have to make the best job of whatever task they are set that day, such as ploughing or mucking out. Their efforts are judged by experts who as in some of the more documentary style series make judgements on how well they have done. As seen in 'The 1940s House' (2001) experts can be capricious and sometimes pretty anachronistic in their judgements. I guess this highlights that it is not only the participants that can find it hard to separate modern day assumptions from the experiences, especially the work, of the past.
A similar though less extremely competitive was 'Turn Back Time - The High Street' (2011). In this series shopkeepers from today took over empty shops in Shepton Mallett and each week ran them as if they were in a certain era going from the late Victorian period to the 1970s in stages. One advantage over many re-enactment programmes was that these people actually knew the trade they were going into. However, the three judging experts (including chef Gregg Wallace and social historian Juliet Gardiner), who unlike the participants and expert visitors, never bothered to dress up in the clothing of the time, made capricious decisions; the dressmaker suddenly had to run a hairdresser's; the couple who were bakers in real life were compelled to switch their baking and retail roles when in the scenario. The profits of each were measured in a competitive way, but that was an unnecessary element for what was otherwise an interesting series. Giving them more time in each era would have helped. The dressmaker took a week to make a dress that was then obsolete by the following week, so constantly found it near impossible to make much income. They were better on things such as the adulteration of food in the 19th century and the issues of wartime rationing and the black market; these things gave drama enough.
I seem to have come at this issue from the wrong end, featuring more of the same in terms of quality, and in some ways, a deterioration in re-enactment programmes towards yet another series of 'reality' game shows, which primarily seem to delight in setting one group of people against another in order to derive the greatest bitterness from them. This, however, neglects, what I see as a much healthier trend developing in re-enactment programmes. Perhaps it can be traced back to 'Living with the Tudors' (2007), not really a re-enactment in itself, but a documentary based on participatory social science research about re-enactors at Kentwell Hall in Suffolk, Europe's oldest and largest re-enactment centre. The programme took four years to make and the directors, Kate Guthrie and Nina Pope, were also participants, learning from the people working at the centre. Importantly, a key flaw of many of the re-enactment programmes I have discussed, i.e. whingeing volunteers trying to impose contemporary assumptions on what they are doing, was avoided.
Though started after 'Living with the Tudors', but broadcast in 2005, was 'Tales from the Green Valley'. This really signalled a new era in re-enactment programmes and introduced us to 'stars' of this genre. This programme involved four experts working on a Welsh farm as if the year was 1620, so the early Stuart period. The work was incredibly hard but though they did not know everything about the era before they started, the five presenters, Chloe Spencer, John Letts, Ruth Goodman, Peter Ginn and Alexander Langlands, were historians and archaeologists with at least a passing knowledge of historical behaviour. In addition, vitally, they were willing to buckle down and work incredibly hard even while eating period food. Each week guest experts to talk about particular farming methods, entertainment, construction, etc., came in, appearing in period costume; sometimes relatives of the presenters would come along to help too. The programme was both incredibly informative but also engaging in a way so many re-enactment series have failed to be. For Goodman, Ginn and Langlands, it was the start of a new career. These three have gone on to appear in very similar series, 'Victorian Farm' (2009) at Acton Scott farm in Shropshire and 'Edwardian Farm' (2010) in at Morwellham Quay in Devon. Not only did they try out genuine farming methods, construction, handicrafts and cooking from the relevant periods, but they also worked, especially in the Edwardian era, on industrial projects. Burning lime or mining ore or cleaning a great house shows the resilience of the presenters. I suppose they have a love for the participation.
If you visit Goodman's and Ginn's websites, you can see they make a living lecturing on social history, but also in projects, reconstructing aspects of a particular period. Goodman also appeared in 'Victorian Pharmacy' (2010) along with historians Nick Barber and Tom Quick. The pharmacy was located at Blists Hill, a re-enactment Victorian town, not far from the Acton Scott farm. This was a less demanding series for the participants, but was fascinating all the same. Again the programme is useful in actually testing out what we know about how things worked at the time, but provides gentle entertainment. I have seen Goodman so often in period costume, that when I saw her in contemporary dress on 'The One Show' in September 2010 she somehow looked wrong. Comically one of the regular presenters Christine Bleakley immediately apologised for Goodman's language (the programme being live) because she referred to the 'shitty jobs' that children from Victorian workhouses went into. That incident was funny given how much credibility Goodman has compared to presenters like Bleakley who seem to thrive on making a fuss about trivia rather than getting to grips with what many of our ancestors really experienced. I imagine there were tensions between the presenters at times on recent re-enactment programmes, but whilst we are not spared seeing the hardships of working hard in bad weather, we do not get people whining to camera about how hard it is and that somehow they deserve privileged treatment.
Re-enactment is big business in the UK as locations such as Blists Hill, Morwellham Quay and Kentwell Hall demonstrate. I suppose to some extent there will always be a simplification for visitors, that goes for any museum. However, I believe in the latest crop of documentary-style re-enactment programmes, that the right balance has been found in how they are presented, something which has been missing for thirty years from such programmes shown on British television, whether made in the UK or USA. I trust now that a template has been set that will allow us to avoid yet more whining participants, who were really only there to get on television, not to be part of a project, and seemingly with no understanding beforehand of just how incredibly hard this kind of work is. The bulk of us do not have the energy and tenacity to do such hard work and should stay well away from it. I accept that more populist versions of re-enactment programmes are a stepping stone for people to engage with social history. 'Turn Back Time - The High Street', probably was just off the right balance, better, more involved 'judges' not making capricious decisions and not expecting miracles in a week would have made it an excellent series. I am glad that we have moved in this country, to a better approach to re-enactment television. It is a fascinating, educating genre with gentle entertainment, and when it is handled well, it provides excellent television, when handled, as it has too often in the past, it is just an encouragement to switch off.
Showing posts with label Historical re-enactment. Show all posts
Showing posts with label Historical re-enactment. Show all posts
Saturday, 9 April 2011
Wednesday, 10 September 2008
Why TV Historical Settlement Re-enactments Fail
This is one of these issues which has been sitting around in my head for years. As you know I have an interest in all kinds of history and so over the years have often been attracted to watching re-enactment television programmes. I was told that the first one was in Scandinavia in the 1970s and put a group of people into an Iron Age village for a period of weeks and got them to live like inhabitants of the time, though they allowed them glasses and matches, presumably to stop them stumbling around and spending hours on camera trying to start a fire. The BBC ran its own series 'Living in the Past' in 1978 in which six couples and three children lived in an iron age village for 13 months. They had a follow-up programme on BBC4 in May 2008.
However, the problem was that the people in the experiment did not see the world in the way that Iron Age people did and whilst they went through the religious rituals, I remember even raising a burning wicker man, they did not believe in them. In subsequent decades I always thought that rather than the people they get who tend to be teachers or accountants with very 20th-21st century views they should get people into New Age beliefs who fit in much better with the views of the Iron Age. This approach was revived by Channel 4 in 2001, partly on the back of 'reality' television programmes like 'Big Brother' and this series, 'Surviving the Iron Age' included three people who were children of people who had appeared in 'Living in the Past'. There were numerous other ones in that era of reality television
One key issue is that people cannot shake off their contemporary attitudes. We live in a very selfish society especially in the UK, and yet one in which democracy is taken as the norm. These dynamics simply do not work in a more primitive society. In 'Surviving the Iron Age', they elected their leader, a woman, and yet then would not comply with the instructions for chores that she gave out. One woman in particular, like many people who feel disempowered in the UK, felt that having children gave her special privileges. Ironically she would not be the leader of the village and yet wanted to control her own day-to-day life. This is typical of modern British society people want power without responsibility and to be able to criticise those in power and seek to subvert the laws they set. Unsurprisingly this village broke down. Iron Age life needed day in-day out drudgery. It was also ruled by power. In a village where people disagreed with the leader they would either leave and set up their own village somewhere else or they would fight possibly to the death to assert their position. This cannot happen on modern British television. Once in power they would rule, they would simply use their position to whine about everyone else's ineffectualness. Another man with all this arguing going on effectively martyred himself by working madly and silently until he was sick and had to be removed. What we saw played out were modern neuroses and nothing historical. It did show why community action fails so often in contemporary Britain as everyone is so self-centred and will not accept the authority of others.
The dreariness of the past I think is often overlooked by people going on these things. I found it interesting in 'Frontier House' (2002) a US series set in 1883 Montana that the teenage girls smuggled in make-up and even the mother complained of loathing seeing herself without make-up. To British audiences this seemed actually comical. In 'The Edwardian Country House' (2002) in the UK the main problem was with the women acting as the young female servants who kept on leaving. It was clear they could not stomach the long hours and hard work and being taken out of the social network of mobile phone usage and their boyfriends. Again, those who felt powerless used a sexual aspect as an assertion of their right to better treatment. As with the mother in 'Surviving the Iron Age', these teenagers argued that having a boyfriend somehow should bring them special rights. All of us are a lot weaker physically than our ancestors, few of us do heavy labour in a domestic or an industrial or agricultural setting. Above all we are used to have few regulations on our lives about who we contact when. We work far shorter hours and even at work are free to phone or email family and friends. Above all we expect constant entertainment not day after day of no free time and nothing to do. In some ways these problems showed up the sharp differences between then and now but you do wonder how blinkered the people who went on the programmes were.
Part of the problem are that you cannot exempt the people from our modern rules. In 1978 the iron age livers could slaughter their own animals, in 2001 that was no longer legal and had to be handled by a proper slaughterman. In 'Frontier House' one family clearly went on the show assuming that they would be able to gun down wildlife freely and blamed their failure on the fact that on conservation grounds they were not able to do that and instead had to get pre-slaughtered meat from the local native American population. That was as much about the American right to bear arms as anything else and any man who had spent as much time hunting as the man in the programme wanted to do would have neglected his other jobs and also decimated the local stock of animals very quickly. Also I would have liked to see him hit things with a flintlock rifle rather than the high-powered firearms he seemed eager to use.
The other interesting problem is participants taking everything too seriously. This was noticeable on 'The Regency House Party' (2004). Sensibly no participant was made to be a servant, there were people employed to be the servants but we did not see their lives and presumably they did not have to live in the conditions or to the timetables of servants of the time. The idea was that as in the Regency period (1811-20) a group of young men and young women (with elderly female chaperones) were brought together in a large house for the Summer to engage in entertainments appropriate to the time and to find a marriage partner. Thus, the tone of this programme was much lighter and interesting covering pastimes of the era. However, one chaperone in particular behaved as if it was all real and went around trying to set up her lady with the eligible bachelors. It was as if she had been brought from 1811 to the modern day. It was clear that she was selected because her whole manner was imperious. She fitted in too well. Something similar happened with 'The Edwardian Country House' (2002). The younger son (I think he was around 10 years old) in particular was a terrible bully of the servants including his tutor (the boy misunderstood the role of tutor and pupil in that time) and it was clear he would have been the perfect brat for that period but was incredibly rude in a way his parents did not control. The family are the Oliff-Coopers and I think the name gives away the kind of pretensions they have. Most people in the UK are descended from workers, and yet as a friend of mine once said about the millions of genealogists in this country, we all assume we are descended from royalty or at least nobility. In addition, in this self-centred society people are often more than happy to treat the people who are working with them like scum and see nothing wrong with it. Of course, if the boy had behaved in 1908 as he did in the programme he would have been caned by his father and the family would have struggled to get any servants. Interestingly one of the outcomes of 'Frontier House' was that one of the participants left his family after the series and was allowed to continue living in the house in all its simplicity, after the series finished. Now seeing how he lived would be interesting television.
The trend for such programmes was extensive at the start of the 2000s. I have not mentioned 'The 1900 House' (1999) which was like 'The Edwardian Country House' but on a smaller scale in suburbia. Again the children missed their friends and I think they should have allowed visits from friends suitably dressed, because of course real children in 1900 would have had a social network that these were denied. They also missed fast food, which like mobile phones (and make-up for Americans) is another modern addiction. This was followed by 'The 1940s House' (2001) in which the family did pretty well. Again it was missing the social network for friends, family and neighbours that would have been there in the real 1940s. The other problem with this one was the panel of experts kept mucking around with things far too much, partly I think because this one was on a smaller scale so there were fewer natural crises and no-one whining about being a servant. The interest in these programmes has not abated. BBC made 'Coal House' (2007) over two series. This was set in a miners' cottage in Wales in the first series in 1927 when the economy was depressed and the second series in 1944 when despite the war coal was in demand and things were marginally better.
As noted above, the Americans have followed the British trend. Not all of these series have made it on to British screens. The last one I saw was 'Pioneer House' (2004) (known as 'Colonial House' in the USA) set in 1628 and again the power dynamics of the village seemed to jar with what went on then and you could see the inevitable train crash as they whined at each other rather than got on and grew food. The Americans also did 'Texas Ranch House' set in Texas in 1867 with the difficulties of rounding up cattle and having horses stolen. A lot of personality clashes for people too. Again, the women find life very dull. This is a fact people, is that the life of all people, especially women, was incredibly hard and dull even up into the 1970s and for many women across the world, even today. People should remember this when they condemn feminism so vehemently. The Australians did 'Outback House' (2005) set in 1861 New South Wales. The Germans have done 'Black Forest House' (2002) set in 1902 a kind of rural version of the 1900 House, they did an 1855 emigration ship and a 1950s girls' school. Britain has also done ones set during military service of the 1950s and schooling of different eras too. So perhaps the fashion for these programmes has not died. They are painful to watch, but given that 'Big Brother' has reached its ninth series, many viewers actually love watching people being self-righteous and shouting at each other.
What these programmes show us, surprise, surprise that even the recent past was a lot harder for people living in western Europe and the USA than it is today. It also shows how quickly we have lost the skills of our ancestors, not just the abilities of iron age people, but the stubbornness, the resilience, the ability to tolerate tedium and to work hard and look undecorated, of even our grandparents' generation. Any of the people who featured in these programmes would have problems adjusting to moving from a bombed house or being a refugee in the way people just in the 1940s did. We have come to a situation where we feel comfort is our right. However, we also feel that we should have power, especially in terms of choice, without accepting any responsibility not least for our own actions. The reason why the communities set up on these programmes fail is because we have no experience of community of any kind in our day-to-day lives. We all live in very atomised existences and are far more likely to bellow at our neighbours about their noise or where they have parked their car than ever talk to them in a calm tone, let alone compromise with them. In our consumerist society 'compromise' in anything has become a dirty word. It is seen as failure, as neglect. If we compromise we have not done the best for our families and so are neglectful of them. There is no sense that hard work, loyalty, sober-headed discussion and actually doing a compromise, are things that benefit not just us but the people around. We are not divorced from them in the way too many of us think. No wonder children fall into violence, easy sex and drug-taking. They have no skills in negotiation, are shunned if they compromise. They also want, they crave constant entertainment or they whine. Is it no surprise that addiction to mobile phones or playstations so quickly turns into addicition to drugs?
I think a lot of lessons from these programmes are lost. The participants come away from the failures they have contributed to ever more self-righteous than before. They have done nothing wrong, it was always the fault of others, there is no compromise. Such attitudes in the past led to death and in fact, though a little less directly, they still do.
However, the problem was that the people in the experiment did not see the world in the way that Iron Age people did and whilst they went through the religious rituals, I remember even raising a burning wicker man, they did not believe in them. In subsequent decades I always thought that rather than the people they get who tend to be teachers or accountants with very 20th-21st century views they should get people into New Age beliefs who fit in much better with the views of the Iron Age. This approach was revived by Channel 4 in 2001, partly on the back of 'reality' television programmes like 'Big Brother' and this series, 'Surviving the Iron Age' included three people who were children of people who had appeared in 'Living in the Past'. There were numerous other ones in that era of reality television
One key issue is that people cannot shake off their contemporary attitudes. We live in a very selfish society especially in the UK, and yet one in which democracy is taken as the norm. These dynamics simply do not work in a more primitive society. In 'Surviving the Iron Age', they elected their leader, a woman, and yet then would not comply with the instructions for chores that she gave out. One woman in particular, like many people who feel disempowered in the UK, felt that having children gave her special privileges. Ironically she would not be the leader of the village and yet wanted to control her own day-to-day life. This is typical of modern British society people want power without responsibility and to be able to criticise those in power and seek to subvert the laws they set. Unsurprisingly this village broke down. Iron Age life needed day in-day out drudgery. It was also ruled by power. In a village where people disagreed with the leader they would either leave and set up their own village somewhere else or they would fight possibly to the death to assert their position. This cannot happen on modern British television. Once in power they would rule, they would simply use their position to whine about everyone else's ineffectualness. Another man with all this arguing going on effectively martyred himself by working madly and silently until he was sick and had to be removed. What we saw played out were modern neuroses and nothing historical. It did show why community action fails so often in contemporary Britain as everyone is so self-centred and will not accept the authority of others.
The dreariness of the past I think is often overlooked by people going on these things. I found it interesting in 'Frontier House' (2002) a US series set in 1883 Montana that the teenage girls smuggled in make-up and even the mother complained of loathing seeing herself without make-up. To British audiences this seemed actually comical. In 'The Edwardian Country House' (2002) in the UK the main problem was with the women acting as the young female servants who kept on leaving. It was clear they could not stomach the long hours and hard work and being taken out of the social network of mobile phone usage and their boyfriends. Again, those who felt powerless used a sexual aspect as an assertion of their right to better treatment. As with the mother in 'Surviving the Iron Age', these teenagers argued that having a boyfriend somehow should bring them special rights. All of us are a lot weaker physically than our ancestors, few of us do heavy labour in a domestic or an industrial or agricultural setting. Above all we are used to have few regulations on our lives about who we contact when. We work far shorter hours and even at work are free to phone or email family and friends. Above all we expect constant entertainment not day after day of no free time and nothing to do. In some ways these problems showed up the sharp differences between then and now but you do wonder how blinkered the people who went on the programmes were.
Part of the problem are that you cannot exempt the people from our modern rules. In 1978 the iron age livers could slaughter their own animals, in 2001 that was no longer legal and had to be handled by a proper slaughterman. In 'Frontier House' one family clearly went on the show assuming that they would be able to gun down wildlife freely and blamed their failure on the fact that on conservation grounds they were not able to do that and instead had to get pre-slaughtered meat from the local native American population. That was as much about the American right to bear arms as anything else and any man who had spent as much time hunting as the man in the programme wanted to do would have neglected his other jobs and also decimated the local stock of animals very quickly. Also I would have liked to see him hit things with a flintlock rifle rather than the high-powered firearms he seemed eager to use.
The other interesting problem is participants taking everything too seriously. This was noticeable on 'The Regency House Party' (2004). Sensibly no participant was made to be a servant, there were people employed to be the servants but we did not see their lives and presumably they did not have to live in the conditions or to the timetables of servants of the time. The idea was that as in the Regency period (1811-20) a group of young men and young women (with elderly female chaperones) were brought together in a large house for the Summer to engage in entertainments appropriate to the time and to find a marriage partner. Thus, the tone of this programme was much lighter and interesting covering pastimes of the era. However, one chaperone in particular behaved as if it was all real and went around trying to set up her lady with the eligible bachelors. It was as if she had been brought from 1811 to the modern day. It was clear that she was selected because her whole manner was imperious. She fitted in too well. Something similar happened with 'The Edwardian Country House' (2002). The younger son (I think he was around 10 years old) in particular was a terrible bully of the servants including his tutor (the boy misunderstood the role of tutor and pupil in that time) and it was clear he would have been the perfect brat for that period but was incredibly rude in a way his parents did not control. The family are the Oliff-Coopers and I think the name gives away the kind of pretensions they have. Most people in the UK are descended from workers, and yet as a friend of mine once said about the millions of genealogists in this country, we all assume we are descended from royalty or at least nobility. In addition, in this self-centred society people are often more than happy to treat the people who are working with them like scum and see nothing wrong with it. Of course, if the boy had behaved in 1908 as he did in the programme he would have been caned by his father and the family would have struggled to get any servants. Interestingly one of the outcomes of 'Frontier House' was that one of the participants left his family after the series and was allowed to continue living in the house in all its simplicity, after the series finished. Now seeing how he lived would be interesting television.
The trend for such programmes was extensive at the start of the 2000s. I have not mentioned 'The 1900 House' (1999) which was like 'The Edwardian Country House' but on a smaller scale in suburbia. Again the children missed their friends and I think they should have allowed visits from friends suitably dressed, because of course real children in 1900 would have had a social network that these were denied. They also missed fast food, which like mobile phones (and make-up for Americans) is another modern addiction. This was followed by 'The 1940s House' (2001) in which the family did pretty well. Again it was missing the social network for friends, family and neighbours that would have been there in the real 1940s. The other problem with this one was the panel of experts kept mucking around with things far too much, partly I think because this one was on a smaller scale so there were fewer natural crises and no-one whining about being a servant. The interest in these programmes has not abated. BBC made 'Coal House' (2007) over two series. This was set in a miners' cottage in Wales in the first series in 1927 when the economy was depressed and the second series in 1944 when despite the war coal was in demand and things were marginally better.
As noted above, the Americans have followed the British trend. Not all of these series have made it on to British screens. The last one I saw was 'Pioneer House' (2004) (known as 'Colonial House' in the USA) set in 1628 and again the power dynamics of the village seemed to jar with what went on then and you could see the inevitable train crash as they whined at each other rather than got on and grew food. The Americans also did 'Texas Ranch House' set in Texas in 1867 with the difficulties of rounding up cattle and having horses stolen. A lot of personality clashes for people too. Again, the women find life very dull. This is a fact people, is that the life of all people, especially women, was incredibly hard and dull even up into the 1970s and for many women across the world, even today. People should remember this when they condemn feminism so vehemently. The Australians did 'Outback House' (2005) set in 1861 New South Wales. The Germans have done 'Black Forest House' (2002) set in 1902 a kind of rural version of the 1900 House, they did an 1855 emigration ship and a 1950s girls' school. Britain has also done ones set during military service of the 1950s and schooling of different eras too. So perhaps the fashion for these programmes has not died. They are painful to watch, but given that 'Big Brother' has reached its ninth series, many viewers actually love watching people being self-righteous and shouting at each other.
What these programmes show us, surprise, surprise that even the recent past was a lot harder for people living in western Europe and the USA than it is today. It also shows how quickly we have lost the skills of our ancestors, not just the abilities of iron age people, but the stubbornness, the resilience, the ability to tolerate tedium and to work hard and look undecorated, of even our grandparents' generation. Any of the people who featured in these programmes would have problems adjusting to moving from a bombed house or being a refugee in the way people just in the 1940s did. We have come to a situation where we feel comfort is our right. However, we also feel that we should have power, especially in terms of choice, without accepting any responsibility not least for our own actions. The reason why the communities set up on these programmes fail is because we have no experience of community of any kind in our day-to-day lives. We all live in very atomised existences and are far more likely to bellow at our neighbours about their noise or where they have parked their car than ever talk to them in a calm tone, let alone compromise with them. In our consumerist society 'compromise' in anything has become a dirty word. It is seen as failure, as neglect. If we compromise we have not done the best for our families and so are neglectful of them. There is no sense that hard work, loyalty, sober-headed discussion and actually doing a compromise, are things that benefit not just us but the people around. We are not divorced from them in the way too many of us think. No wonder children fall into violence, easy sex and drug-taking. They have no skills in negotiation, are shunned if they compromise. They also want, they crave constant entertainment or they whine. Is it no surprise that addiction to mobile phones or playstations so quickly turns into addicition to drugs?
I think a lot of lessons from these programmes are lost. The participants come away from the failures they have contributed to ever more self-righteous than before. They have done nothing wrong, it was always the fault of others, there is no compromise. Such attitudes in the past led to death and in fact, though a little less directly, they still do.
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