As anyone who has read this blog down the years will not be surprised, I am pleased that Jeremy Corbyn has been elected leader of the Labour Party. After the May 2015 election I did not have any expectation that the Labour Party will be re-elected. The demographics are against them and as has been quoted before, the British public is Conservative and only occasionally votes Labour. Indeed the New Labour it voted for was simply a pale blue version of the Conservative Party with a better publicity machine. Corbyn is refreshing because he puts forward an attitude that many, if only a large minority, have felt have been missing from British politics (though clearly not the politics of Greece or other European countries) for so long.
It is not surprising that the right-wing media have attacked Corbyn on every basis from what songs he might sing to who he slept with forty years ago to his fashion sense to made-up policies they think sound poor. In some ways I welcome that fact as it does suggest that they see him as a genuine threat to their distortions and scares peddled to the population. If Andy Burnham had won, I doubt he would have attracted a fraction of the attention that Corbyn has done.
'The Guardian' feels that Corbyn and his camp could have rebuffed false accusations if they had had their 'media machine' set up quicker. In some ways, however, I am heartened by the fact that it was not. To feel an obligation to rebuff every last accusation as soon as possible is simply to play the game of the right-wing; it shows that you feel that you can be harmed by them, rather than ignoring the rubbish thrown at you because it is in fact nothing more than rubbish, often fabricated and always plastered with indignation.
Corbyn is facing a man who left a child unattended in a pub and has no grasp of how 95% of the UK population live. Even when he is pictured on public transport, it is clearly faked. Corbyn looks like he belongs on the underground train, travelling home from work, looking tired, like literally millions of other Londoners. Part of the problem are the Blair years. The Blairite government made themselves masters of media manipulation. However, they also made themselves vulnerable by seeming to care whether one MP stepped off a very narrow line about a policy. They created a context in which it is felt that unless an entire political party is full of drones mouthing exactly the same words on everything it has somehow failed. This makes it very difficult for genuine debate to occur not just over the big issues but also the nuances within them. That does not aid British democracy. Why is it acceptable for the Conservatives to have a spectrum of opinion from people wanting immediate exit from the EU to those who want to stay in forever and yet even moderate differences on the issue are seen as a 'failure' by Corbyn. I suppose because we lack a left-wing media.
The anti-Corbyn campaign has been so relentless that it is unsurprising that it is picked up unquestioned and every crumb used as gospel truth by a lot of the population. I work where people generally have to have a decent level of education to be employed. However, I have been harangued by the fact that Corbyn wants to wreck the UK economy by scrapping the Queen and he will abolish the Army the moment he comes into office. Even then, to me such policies seem pretty rational alongside ones such as compelling schools to become academies and allowing the private sector to take over handling prisoners and hospitals. Given how shoddy and expensive the British railway system is, why is it not shouted down whenever anyone suggests it is not re-nationalised?
I do not expect people to agree with me. This is a democracy, there are different parties and there is a range of views within every political party no matter how the Conservatives and the media portray it. Yet, Corbyn politics in a matter of a week have been made to appear illegitimate even to discuss and at best something very naive. No other political leader has reinvigorated a movement in this way for decades. Perhaps Sir Keith Joseph and following in his footsteps, Margaret Thatcher did for the Conservatives and that was forty years ago now. Yet if I ever say anything positive about a Corbyn policy people titter as if I am foolish. I would be happier to accept them being angry about my approach. However, the right seems to be winning as it did in the 1980s by simply making Labour policies not seem a threat but simply not worthy of even considering and viewing anyone who proposes them as 'loony'. It worked before, so I should not be surprised that it is working now. It is exasperating for a number of reasons.
I could stand in a French or a Greek workplace and outline political views at odds with the people around me and they might disagree perhaps vocally, but they would not look on me as a child; they would not strip me of my right to hold that opinion. To do so in Britain is a form of censorship which is in fact akin to the approach of dictatorships, not that of other mature democracies. A further point is that I could state that the world was created in 7 days in 4004 BC; that dinosaur bones were laid in the strata by God to show man the passing of all things and that one day the righteous will be lifted into the skies during the Rapture and no-one would be allowed to laugh or ridicule my views without risking a disciplinary action for discrimination. I subscribe to a political stance which is rational and in my view would be better for the bulk of people living in my country than the current policies. Yet, because those very few who control our society and economy feel threatened by such views, they have schooled their minions in the population to ridicule and simply dismiss even the expression of that view. Is it any surprise that people say Britain has only a partial democracy?
Sunday, 20 September 2015
Monday, 31 August 2015
The Book I Read in August
Fiction
'The Giant Book of Private Eye Stories' ed. by Bill Pronzini & Martin H. Greenberg
This seems to be another anthology I bought in the 1990s and have had lying around for a long time. It was first published in 1988 but my edition is from 1997. However, it must have been well loved before I got it as it looks to be older. For such a broad topic it has a narrow focus. Almost all of the stories are set in the USA and the one which is not, 'Busted Blossoms' by Stuart M. Kaminsky (1986) set on a ferry from Italy to Greece, features Americans. Most of the stories are set in New York, Chicago and Los Angeles, though some stray into other areas and when they go into the backwaters, they are particularly seedy, notably 'Iris' by Stephen Greenleaf (1984) about people buying and selling babies and 'Ride the Lightning' by John Lutz (1985) about people holding up petrol stations in rural areas which does have a good twist. I suppose seediness is an essential element of the private eye story. 'Skeleton Rattle Your Mouldy Leg' by Bill Prozini (1985) himself is set in a hotel for retired men and is another which brings shabby life to the fore, when in others many of those involved are well off, hence able to afford a private detective.
There are some decent stories in this book, but they are rather diminished by how similar so many of them are. This suggests that for a 'giant' collection, the scope is tiny. The lack of private detectives from other countries does not help. It seems the editors have a very narrow definition of what a private eye story entails, even though they recognise in the introduction that the genre started in Britain; there are examples from continental Europe and elsewhere too. It seems that by having 26 stories (23 of which are written by men) they have set down what the genre should be and will brook no alternative. Perhaps 'The Giant Book of Marlowesque Private Eye Stories' would have been a more accurate description.
'The Giant Book of Private Eye Stories' ed. by Bill Pronzini & Martin H. Greenberg
This seems to be another anthology I bought in the 1990s and have had lying around for a long time. It was first published in 1988 but my edition is from 1997. However, it must have been well loved before I got it as it looks to be older. For such a broad topic it has a narrow focus. Almost all of the stories are set in the USA and the one which is not, 'Busted Blossoms' by Stuart M. Kaminsky (1986) set on a ferry from Italy to Greece, features Americans. Most of the stories are set in New York, Chicago and Los Angeles, though some stray into other areas and when they go into the backwaters, they are particularly seedy, notably 'Iris' by Stephen Greenleaf (1984) about people buying and selling babies and 'Ride the Lightning' by John Lutz (1985) about people holding up petrol stations in rural areas which does have a good twist. I suppose seediness is an essential element of the private eye story. 'Skeleton Rattle Your Mouldy Leg' by Bill Prozini (1985) himself is set in a hotel for retired men and is another which brings shabby life to the fore, when in others many of those involved are well off, hence able to afford a private detective.
The chronological scope is from 'Suicide is Scandalous' by Henry Kane (1947) to 'The Reason Why' by Edward Gorman (1988). However, it is often hard to tell when they are set because even the stories set in the 1980s often have a feel that they date from thirty years earlier. Only occasionally does this slice of the genre seem to recognise the march of time. In part there are fewer references to the Second World War and occasionally there are references that suggest US society has moved on. Even on that basis, some can be misleading, 'Death Flight' by Ed McBain (1954) which features an internal flight and buying travel insurance feels like it was written twenty years later. Perhaps only 'Surf' by Joseph Hansen (1976) in which most of the characters are gay; 'She Didn't Come Home' by Sue Grafton (1986) featuring a female detective investigating a woman who has tricked her company and her husband and perhaps 'Greektown' by Loren D. Estleman (1983) set amongst an immigrant community suggest much change has occurred. However, throughout the 'classic' style with a woman in trouble or causing trouble seeking to employ a burnt-out private detective persists drawn from what Philip Marlowe in 'Wrong Pigeon' (1959 - though written long before that) by Raymond Chandler or Race Williams in 'Not My Corpse' (I cannot find the date for this but it must have been between 1926-51 when the Williams stories were being published) by Caroll John Daly, would have experienced.
The 'hard boiled' language was also a characteristic of the American private eye stories. However, at times you really need a translation for example from 'Diamonds of Death' by Robert Leslie Bellem:
'Dan Turner, movie hawkshaw, falls for stolen gem routine. Mitzi Madison slips snoop the hotfoot.'
Or from 'Wrong Pigeon': 'My checking account could kiss the sidewalk without stooping' or '"Suppose I got tossed in the freezer? I am out on a writ in twenty-four hours.'
Again no date, but must have been published 1942-50. As the stories move closer to our own times, fortunately they drop the dated slang and do not seem to have anything much to replace it with. The violence does not increase. I guess for the post-war generation and perhaps given the level of murders in the USA right through the 20th century, there was no appreciation of any need to change. Perhaps Pronzini and Greenberg were cautious in the stories they selected to avoid ones which would appear 'gritty' in the contemporary rather than 1950s sense. There is that air of despair and of predestined fate hanging over the stories in the way which was common during the film noir era but faded from movies in the 1970s only occasionally popping up once more simply to be challenged, for example, in the movie of 'Minority Report' (2002).
There are some decent stories in this book, but they are rather diminished by how similar so many of them are. This suggests that for a 'giant' collection, the scope is tiny. The lack of private detectives from other countries does not help. It seems the editors have a very narrow definition of what a private eye story entails, even though they recognise in the introduction that the genre started in Britain; there are examples from continental Europe and elsewhere too. It seems that by having 26 stories (23 of which are written by men) they have set down what the genre should be and will brook no alternative. Perhaps 'The Giant Book of Marlowesque Private Eye Stories' would have been a more accurate description.
On the positive side there are good examples of short story writing. They demonstrate how you can use a small number of characters to provide an intrigue and even get in a twist. Thus, they are good for those wanting to write short stories, a style of writing which is increasing in popularity with the rise of e-book readers. However, it does show a static genre which over the course of fifty years saw minimal development. There are far more female writers around in the genre now, so that at least leavens the rather stagnant style. I suppose no-one can argue the genre was not successful. This collection, however, despite good points, emphasis the picture of a style of writing in English which remained locked in a pattern for decades.
Sunday, 23 August 2015
Pub Tour In Hampshire - Shawford Station to Hedge End Station
Despite going from pub to pub in a district is a sporadic though enduring hobby of mine, it is something that I have neglected on this blog. In part it may come from lacking a digital camera for many years and then lacking a scanner. I never see the point of having a camera on a phone and anyway my latest phone is now broken when the place where you put the charger got stoved in. I do not believe it is almost two years since I last did a pub tour posting here: http://rooksmoor.blogspot.co.uk/2013/08/bacchus-and-i-drinking-in-esher.html
I did some up in the Midlands that I did not capture. Now back in southern England I have done more visits to Hampshire, some distance away from where I am now living, but convenient for Bacchus to rendezvous with me (in both senses of the word! Bacchus being the nickname of my best friend). Our tour of Eastleigh was so desultory as to not be worth reporting. Our return visits to Winchester have deserved better coverage than I have given them. It is a good city, if you can stand the snobbier elements of the population, for visiting a range of pubs in close proximity with lots of food outlets across the spectrum in between.
This particular tour was prompted by my father who commented how many pubs there seemed to be in this stretch of Hampshire (Shawford lies 8 Km (5 miles) South of Winchester). Thus, I thought I would give it a go to see how many I could visit. One warning, pubs in Hampshire seem not to open until 12.00, which has caused some frustration when in Winchester. Thus, I planned my trip to start at 12.00 and was almost bang on. It ran until about 19.30 and encompassed me drinking at 12 pubs, whereas it should have actually been 14, but more about the reasons for that in a minute.
Below is a crude map of the route. The 'ßà' symbol represents the railway stations. Shawford is a very small station but you can get trains there from Winchester and Eastleigh or Southampton. You can also get the 69 bus which runs between Winchester and Fareham. It stops in the centre of Twyford rather than Shawford. The 69 and the 8 buses are your bale-out vehicles if you tire on the route. Once you reach Fair Oak you can take the 2 to Eastleigh if you cannot stand any more.
1. The Bridge, Shawford
This is right by the station dominated by a high bridge across the valley. This area is criss-crossed by rivers and navigations and you would think would be popular with walkers. However, it would seem to be favoured by well-off Hampshire residents. There is a high-class patisserie opposite the pub. I did not go into the heart of Shawcross itself which lies to the West of the railway, instead I was heading East. The pub is Chef & Brewer but seems a bit less mechanical than some of those places. I suppose because being so tucked away (the station platform is so short everyone has to move into the front carriage to get off) the clientele is well known. Large garden. Food clearly a focus as with the bulk of these rural pubs, ironically with a 1940s menu at present which I imagine is common across the Chef & Brewer pubs at present. It was also in full-flow in terms of customers when I got there at 12.00, a different experience from other pubs in Hampshire I have visited. It was one of the only pubs I have been in, where I felt under-dressed. It is clear locals 'dress for lunch' even in a pub. I drunk Kronenbourg 1664 which was available in most places I went to.
The walk to Twyford is very pleasant, crossing the river valley and looking to the next village in the distance. I believe the name 'Twyford' comes from 'two fords' and that is suggested by the village sign. To the South there is a large private estate called Shawford Park.
3. The Bugle Inn, Twyford
'The Bugle Inn' is across the road from 'The Phoenix' but is clearly pitched at a very different clientele. As I continued on this tour I was becoming conscious of how simply in pubs you can be exposed to the British class system. In none of them did I feel unwelcome, but maybe my oddities set me outside many assumptions, people simply cannot put me into any particular category. Saying that I was dressed in shorts and shoes from Asda and the shirt I had on had come from C&A which closed down in Britain over a decade ago. The hat was from Marks & Spencer, but I was hardly in designer wear.
'The Bugle Inn' is an upmarket gastro pub. Like almost every pub I went in, it has stripped floor and the usual accoutrements of leather sofas. They did expect me to be staying for lunch. It was quite with a very spacious and light bar area. I drunk Staropramen in here; in an iced glass. It was the just on the verge of pretentious. Unlike 'The Bridge' it attracted couples rather than well-off families. Looking around it did seem rather where you would come if having an affair. All the staff are young women dressed in black, apparently selected for being waif-like and with long hair.
I was impressed by this barn, it looked like somewhere that might have been fought over at the Battle of Waterloo.
4. The Black Horse, Colden Common
On the maps this area is shown as Twyford Moors but there is no sign of that designation, rather you are shown as being in Colden Common. From a distance this pub looked open, but when I reached it, it was clearly closed down, but perhaps only recently. As you can see other properties are up for sale here, so given what I saw elsewhere on this route, it will all be levelled and made into expensive, cramped housing.
5. The Rising Sun, Colden Common
Having missed out on a drink in 'The Black Horse', scraping the edge of Colden Common which seems to be a very large 'village', I took a detour off the main road, following one of the brown signs which are common in this area, mainly indicating pubs, golf clubs or equestrian centres. Fortunately it was a short walk into the village. Though the day was advancing, I was surprised to find myself as the only customer. This looks like a 'housing estate' pub which has lifted itself pretty well up to the next rung on the ladder, without becoming a gastro-pub. It has a pool table but it also has leather sofas. Given there seems to be a lot of housing around it I thought it would be busier. Maybe it has fallen between two stools, not sufficiently posh for those who might go to 'The Bugle Inn' but too uppity for those who might frequent 'The Phoenix'. It was a spacious place with friendly staff, though that might be because I was spending money. I did see a three-generation family re-packing their car at length and it seemed they had been in for lunch; the man had even taken one of the menus with him!
Despite what it shows on the map as the area being 'Fisher's Pond', the apostrophe for Fisher's was missing from every sign I could see. I went past this pleasant church which looked like it belonged in an Alliance area on 'World of Warcraft'.
6. Fishers Pond, Fishers Pond
This is a large, rambling pub, named after the area it is in, with its own river and both a swan and a black cat which have adopted the pub. It was by far the busiest I had visited, exceeding even 'The Bridge'. It is above all a family pub for middle income families. Perhaps the styling of the pub was why they were here rather than a short distance away in 'The Rising Sun'. It is stone floors and that grey paint which seems universal if you have pretensions of grandeur viz 'The Bugle Inn' and the exterior of 'The Rising Sun'. Lots of small children running around. I was pleased to be able to get Staropramen here. I must say that the staff were friendly and seemed to be very competent in dealing with the complexities thrown up by large families ordering food, moving tables, etc. I imagine the place would collapse if they were not.
7. Queen's Head, Fishers Pond
This pub is right next door to the 'Fishers Pond'. It was slightly more down market, looking like a 'housing estate' pub in style and with the food it provided. Again, like many of the pubs I went in on this walk, it was spacious. The staff were friendly, but the customers few. Probably a good place to escape to if you cannot stand the noise of children next door. As in Twyford, it did strike me as odd that two pubs were so close together, but I suppose they deliberately target different sorts of customers.
After Fishers Pond you have a steep climb up a hill which has caravan sites - in fact there are quite a few right along the route both for mobile and static caravans. If in need of some non-alcoholic input there is a cafe in the garden centre at the top of the hill. Once you reach the flat you are heading into Fair Oak which is not really well supplied with pubs. None of the three I visited, I would recommend.
8. Fox and Hounds, Fair Oak
I must apologise for the picture on this one. Maybe the result of being six pints, a bowl of peanuts and a packet of salted cashews (provided in error) up to this point.
11. The Lapstone, Horton Heath
I did some up in the Midlands that I did not capture. Now back in southern England I have done more visits to Hampshire, some distance away from where I am now living, but convenient for Bacchus to rendezvous with me (in both senses of the word! Bacchus being the nickname of my best friend). Our tour of Eastleigh was so desultory as to not be worth reporting. Our return visits to Winchester have deserved better coverage than I have given them. It is a good city, if you can stand the snobbier elements of the population, for visiting a range of pubs in close proximity with lots of food outlets across the spectrum in between.
This particular tour was prompted by my father who commented how many pubs there seemed to be in this stretch of Hampshire (Shawford lies 8 Km (5 miles) South of Winchester). Thus, I thought I would give it a go to see how many I could visit. One warning, pubs in Hampshire seem not to open until 12.00, which has caused some frustration when in Winchester. Thus, I planned my trip to start at 12.00 and was almost bang on. It ran until about 19.30 and encompassed me drinking at 12 pubs, whereas it should have actually been 14, but more about the reasons for that in a minute.
Below is a crude map of the route. The 'ßà' symbol represents the railway stations. Shawford is a very small station but you can get trains there from Winchester and Eastleigh or Southampton. You can also get the 69 bus which runs between Winchester and Fareham. It stops in the centre of Twyford rather than Shawford. The 69 and the 8 buses are your bale-out vehicles if you tire on the route. Once you reach Fair Oak you can take the 2 to Eastleigh if you cannot stand any more.
Map of the Route
Round numbers refer to the text about the pubs below
Shawford Railway Station exit
1. The Bridge, Shawford
This is right by the station dominated by a high bridge across the valley. This area is criss-crossed by rivers and navigations and you would think would be popular with walkers. However, it would seem to be favoured by well-off Hampshire residents. There is a high-class patisserie opposite the pub. I did not go into the heart of Shawcross itself which lies to the West of the railway, instead I was heading East. The pub is Chef & Brewer but seems a bit less mechanical than some of those places. I suppose because being so tucked away (the station platform is so short everyone has to move into the front carriage to get off) the clientele is well known. Large garden. Food clearly a focus as with the bulk of these rural pubs, ironically with a 1940s menu at present which I imagine is common across the Chef & Brewer pubs at present. It was also in full-flow in terms of customers when I got there at 12.00, a different experience from other pubs in Hampshire I have visited. It was one of the only pubs I have been in, where I felt under-dressed. It is clear locals 'dress for lunch' even in a pub. I drunk Kronenbourg 1664 which was available in most places I went to.
The walk to Twyford is very pleasant, crossing the river valley and looking to the next village in the distance. I believe the name 'Twyford' comes from 'two fords' and that is suggested by the village sign. To the South there is a large private estate called Shawford Park.
Scenes along the Road from Shawford to Twyford
Central Twyford
Now, you may wonder why I have featured a post office and general stores. One thing is that it sells local produce. Though if you are on this tour, I suggest not buying free-range eggs! More important for this trip is the 'Bean Below' cafe which you can see the sign of to the right of the traditional phone box. This is a cafe actually beneath the post office. The entrance to it is up that side road, not through the post office. It has some nice basic food and if you need a coffee it is worth a stop. Apparently its cooked breakfasts are renowned, but it only opens at 09.00 on the weekend.
From this sign, I realised that I had left my visit too late and could have once encompassed another Twyford pub in this tour. I suppose given how many are closing down each month these days I was very lucky to be able to get to the ones I did.
2. The Phoenix, Twyford
This was a welcoming pub. Very much a down-to-Earth place run by a middle-aged couple. Basic food here, lots of jacket potatoes. However, like most of the pubs on this tour, some interesting beers. I am not a bitter or real ale man, but I was surprised by the choice along the route. This seemed like the pub for the locals who are not snobby. They seem to run a lot of events like bingo and things for charity; the landlord was getting ready for the fire-walking in the garden that evening. Much cleaner and alert than many pubs of this kind. The roadside face looks dusty but go in and you will see it is kept well-tended, no doubt one of the reasons it has survived. I had a guest lager, I think from a micro-brewery.
'The Bugle Inn' is across the road from 'The Phoenix' but is clearly pitched at a very different clientele. As I continued on this tour I was becoming conscious of how simply in pubs you can be exposed to the British class system. In none of them did I feel unwelcome, but maybe my oddities set me outside many assumptions, people simply cannot put me into any particular category. Saying that I was dressed in shorts and shoes from Asda and the shirt I had on had come from C&A which closed down in Britain over a decade ago. The hat was from Marks & Spencer, but I was hardly in designer wear.
'The Bugle Inn' is an upmarket gastro pub. Like almost every pub I went in, it has stripped floor and the usual accoutrements of leather sofas. They did expect me to be staying for lunch. It was quite with a very spacious and light bar area. I drunk Staropramen in here; in an iced glass. It was the just on the verge of pretentious. Unlike 'The Bridge' it attracted couples rather than well-off families. Looking around it did seem rather where you would come if having an affair. All the staff are young women dressed in black, apparently selected for being waif-like and with long hair.
Between Twyford and Colden Common
I was impressed by this barn, it looked like somewhere that might have been fought over at the Battle of Waterloo.
It is not unusual these days to find Thai and Indian restaurants in rural areas. This one is still marked on online maps as 'Rimjhim' but as you can see is known as Banaras. I imagine it is run by former Gurkhas or their descendants given the connection between Winchester and those troops. I know some people insist on a curry when on a pub tour and this is a good opportunity, they do a 2-course set lunch for £8.95. So if you did not fuel up at 'Bean Below' this might be worthwhile dropping into.
There is a farm shop along the road selling eggs and honey as well as live chickens and ducks. Looking at the eggs I would doubt they are free-range and if they are the chickens are not getting a very varied diet. I was not impressed by them at all.
On the maps this area is shown as Twyford Moors but there is no sign of that designation, rather you are shown as being in Colden Common. From a distance this pub looked open, but when I reached it, it was clearly closed down, but perhaps only recently. As you can see other properties are up for sale here, so given what I saw elsewhere on this route, it will all be levelled and made into expensive, cramped housing.
5. The Rising Sun, Colden Common
Having missed out on a drink in 'The Black Horse', scraping the edge of Colden Common which seems to be a very large 'village', I took a detour off the main road, following one of the brown signs which are common in this area, mainly indicating pubs, golf clubs or equestrian centres. Fortunately it was a short walk into the village. Though the day was advancing, I was surprised to find myself as the only customer. This looks like a 'housing estate' pub which has lifted itself pretty well up to the next rung on the ladder, without becoming a gastro-pub. It has a pool table but it also has leather sofas. Given there seems to be a lot of housing around it I thought it would be busier. Maybe it has fallen between two stools, not sufficiently posh for those who might go to 'The Bugle Inn' but too uppity for those who might frequent 'The Phoenix'. It was a spacious place with friendly staff, though that might be because I was spending money. I did see a three-generation family re-packing their car at length and it seemed they had been in for lunch; the man had even taken one of the menus with him!
Between Colden Common and Fishers Pond
Despite what it shows on the map as the area being 'Fisher's Pond', the apostrophe for Fisher's was missing from every sign I could see. I went past this pleasant church which looked like it belonged in an Alliance area on 'World of Warcraft'.
6. Fishers Pond, Fishers Pond
This is a large, rambling pub, named after the area it is in, with its own river and both a swan and a black cat which have adopted the pub. It was by far the busiest I had visited, exceeding even 'The Bridge'. It is above all a family pub for middle income families. Perhaps the styling of the pub was why they were here rather than a short distance away in 'The Rising Sun'. It is stone floors and that grey paint which seems universal if you have pretensions of grandeur viz 'The Bugle Inn' and the exterior of 'The Rising Sun'. Lots of small children running around. I was pleased to be able to get Staropramen here. I must say that the staff were friendly and seemed to be very competent in dealing with the complexities thrown up by large families ordering food, moving tables, etc. I imagine the place would collapse if they were not.
7. Queen's Head, Fishers Pond
This pub is right next door to the 'Fishers Pond'. It was slightly more down market, looking like a 'housing estate' pub in style and with the food it provided. Again, like many of the pubs I went in on this walk, it was spacious. The staff were friendly, but the customers few. Probably a good place to escape to if you cannot stand the noise of children next door. As in Twyford, it did strike me as odd that two pubs were so close together, but I suppose they deliberately target different sorts of customers.
After Fishers Pond you have a steep climb up a hill which has caravan sites - in fact there are quite a few right along the route both for mobile and static caravans. If in need of some non-alcoholic input there is a cafe in the garden centre at the top of the hill. Once you reach the flat you are heading into Fair Oak which is not really well supplied with pubs. None of the three I visited, I would recommend.
8. Fox and Hounds, Fair Oak
I must apologise for the picture on this one. Maybe the result of being six pints, a bowl of peanuts and a packet of salted cashews (provided in error) up to this point.
This place aims at being very much a 'family' pub. However, it is rather a down-market place which I imagine attracts customers from the numerous housing estates of Eastleigh. It is run by quite an intimidating one-legged ex-military man. The 1980s style red leather sofas and the fish tank are worth seeing. However, you are probably best off in here if you like pool or darts. The signs suggest there is an issue with underage drinkers.
9. The Cricketers Arms, Fair Oak
Fair Oak, though small, is well equipped. It has a fancy Indian restaurant, an Indian takeaway, two Chinese takeaways, a cafe, a tearooms, a large Tescos for a petrol station, a Morrisons and another convenience store. So if you need to refuel or get more cash or have something other than beer, it is fine. The two pubs sitting opposite each other in the centre of the village are very disappointing.
'The Cricketers Arms' exterior is the best part of the pub. Inside it is very shabby. The barmaid's young daughter had taken over one corner for her plastic slide and my-little-ponies. The barmaid was far harder to find and even the locals had difficulty in getting served. I know it was the middle of the afternoon, but even so they were losing money as a result. Much of what was on tap was 'off' and so I ended up having bottled Becks.
10. The Old George
While in 'The Cricketers Arms' it was all about horse-racing with customers and staff heading out to the betting office on the main road which apparently only recently opened, across the road in 'The Old George' it was about football. Again not unusual on a Saturday. The service was far better in this pub than its rival. The place had a bit of a stark feel to it and when you see the list of bands playing you understand while it feels a little like a venue out of hours. I could imagine it would be a lot better in the evening when a band was playing. I imagine the clientele changes too. It was not as bad as 'The Cricketers Arms' but I felt I had come at the wrong time to see it at its best.
Having been disappointed in Fair Oak, I decided not to follow one of the brown signs down to the 'New Clock Inn' on the western edge of the village. In part because that was the direction in which Eastleigh lay in and I knew from past experience that pubs in Eastleigh lack character. Everything is national chains and the town shuts down early. I pressed on instead into Horton Heath and was glad that I did.
I crossed the border from Fair Oak to Horton Heath, a little apprehensive about the quality of the next pub. It turned out to be very pleasant. The customers seem to be people who feel themselves better than those in Fair Oak and dress up to come out, certainly the women. This had a more mixed clientele in terms of genders since I had left the 'Fishers Pond'. It was a little like 'The Rising Sun', stripped floors but not to the extent of being a gastro-pub. It is awkward to get through the front door. I was back on Kronenbourg 1664 here. They seem to specialise in curries and have a good range of them. It is right next to a farm and apparently sheep appear in the field you can just see. However, this felt more like an adult pub rather than a 'family' pub. It be that I was now into late afternoon.
Just a gathering of birds I noticed as going through Horton Heath.
12. Brigadier Gerard, Horton Heath
This is a pretty if modern-styled pub at the other end of the ribbon village of Horton Heath. Its pizzas are apparently acclaimed. However, it had a mix of local drinkers (who would not move an inch to let you get to the bar) and families eating out, though with less frantic manner than at 'Fishers Pond'. They also do takeaway pizza, The staff were very friendly. The pub is named after the racehorse which itself was named after stories by Sir Arthur Conan-Doyle.
13. Farmers Home, Durley
Now, my next pub should have been 'The Southampton Arms' on the edge of Hedge End. However, reaching the roundabout which would have turned me South-West towards it, I was tempted by another brown sign. This pointed North-East to the 'Farmers Home' and 'The Robin Hood'. There was a lack of apostrophes to show how many farmers were involved; the sign suggests just one. Having had a good experience at 'The Rising Sun', I thought another detour would not do any harm. However, there was no indication of distance and it turned out to be quite a hike. From 'Brigadier Gerard' to 'The Farmers Home' proved to be farther than from 'Fox & Hounds' to 'Brigadier Gerard' without stopping points on the way. Furthermore, in contrast to my route so far, though at times I had had to cross the road to reach a pavement, down this road, at times there was none and lots of well-off locals powering their 4x4s towards me as I clung to the edge of the road.
I was quite relieved to penetrate right into Durley which turned out to be another of these villages that covers many hectares. There is a cafe-bar at the equestrian centre I passed but at this stage I was recognising my error and wanted to reach the pub. It turned out to be very pleasant. Again a mix of eating in the garden and people drinking seriously, with local children but not too noisy. Mobile phone reception is poor there, but it felt nice to be in a real village rather than sitting on the edge of another housing estate. Having reached my twelfth pint and had some far-too-large pork scratchings, I bottled out the rest and got a taxi to Hedge End station (hence knowing mobile phone reception was poor, though not non-existent). How much farther on 'The Robins Nest' is and whether it is still open I could not find out. The brown signs tend to last years longer than the locations they point to.
14. The Southampton Arms, Hedge End and 15. Shamblehurst Barn, Hedge End
These would have been the last two pubs on the trip if I had not taken the mistaken detour to Durley. The former is a 1930s-style pub looking like a large mixed use pub like the 'Farmers Home' and certainly above the Fair Oak level in quality. 'Shamblehurst Barn' is a Hungry Horse pub though built into an old barn, looks like a 1980s housing estate pub of the kind the Hungry Horse chain favours ('New Clock Inn' back in Fair Oak is one of theirs too).
Right, so in the space of 11Km (7 miles) you can get through fourteen pubs in this area which is a pretty good figure outside of a large town. The countryside especially in the early part, is attractive. The pubs vary considerably in the type of customers they favour so you might pitch your tour to what sort of person you are and where you might fit in. The weak stretch is clearly Fair Oak, so you might just want to grab some food there and power on into Horton Heath.
Wednesday, 12 August 2015
Chinese Need to Get Used to Being Spoken to in Poor Chinese
Like the majority of people working in an organisation which employs people from around the world, I am used to conversing with people who have a strong accent when speaking English or make incessant grammar errors - 'feedbacks' is used so often it is almost being adopted in English itself. Unlike the character on 'The Fast Show' I do not pick up every error and I make an effort to comprehend the accent. This is because I am grateful that the person is speaking to me in English and not expecting me to know Thai, Turkish or even Spanish in order to have a conversation with them. This is a price British people have to pay for being so poor at learning foreign languages and indeed having a schooling system which increasingly does not even teach them. The 13-year old boy who lives in my house stopped learning any foreign languages at the end of Year 8 (12-13 year old class), having done French just for two years. He is an intelligent child going to a school of 1200 pupils but there is so little language teaching that it is a minority subject. Reports show a steady fall in language learning in the UK: http://www.bbc.co.uk/news/education-31921979 with fewer pupils taking even European languages let alone Asian ones.
Now, I am constantly meeting Chinese people. I have no idea how many Chinese are currently visiting or working in the UK. The bulk of the ones I run across are students. However, of course, because of the UK have had a colony in Hong Kong, there are people with Chinese heritage, predominantly Cantonese rather than Mandarin speakers and generally thoroughly integrated into British society. I am not discussing Chinese assimilated in the past, but people from mainland China who are in the UK. Now I spent 18 months learning Mandarin.
I was poor at the writing but pretty good at the language to the extent that I could say where I came from, talk about my family, ask directions and order a complex meal. I honed my accent by using CDs and copying dialogue in movies. Thus, I would expect that I would speak Chinese with an English accent and probably sound quite a bit like the Chinese equivalent of those people I speak to regularly from a range of countries, who have a strong accent and make errors. However, every time I try please or thank you or excuse me, I get a blank expression from Chinese visitors as if rather than attempting their language I have gone into Ukrainian or Somali.
I used the common Chinese phrase 'shi bu shi' [pronounced 'shur boo shur'] it is a phrase attached to the end of a sentence to make it a question 'yes or no?'. Mandarin word order does not change, it is subject-verb-object all the time, so you need question suffixes to show you are asking a question rather than through moving the verb around as often happens in English. The quote was relevant to the setting but the Chinese man turned to me and said - 'what is that, something in English?'. He did not recognise it as a basic phrase from his own language.
I know that the Chinese are a proud people who value their culture. I know that they row with the Taiwanese over who speaks and writes 'proper' Chinese. However, I have yet to meet a Chinese person who is willing to put in the effort to comprehend other nationalities speaking their language in the way that English speakers often do on a daily basis. This runs contrary to the schemes to introduce Mandarin to schools and to open up Confucius Centres to promote the teaching of Mandarin.
If the efforts of people who have taken time to learn the language are simply dismissed then there is no incentive to learn let alone develop skills in the language. It seems I will never even reach a workable level in my lifetime. I know there is all this argument about the fact that an outsider can never be fluent, but I am not looking for fluency, I am looking to work at the level many people use English when speaking to me. It may not be perfect, but we can function.
Why does this matter? Well, the Chinese population is only 25% of the global population so they are going to meet a lot of people who speak something else. China has a public relations problem. It is both noted as being one of the only remaining Communist dictatorships yet is also operating as a neo-colonial power particularly in Africa and Central Asia. To be so frosty to those trying to speak the language is to put even more distance between the country and those others it has to deal with.
I do wonder if there is a delight in the exceptionality of the use of any Chinese language in a Western context and that Chinese visitors like the fact that their hosts cannot comprehend what they are saying. It seems that they worry that if they give a centimetre of recognition that someone else even knows a bit of their language, they will have lost that privileged position. It is like the Russian nobility speaking French when the servants were around. I have also noted a similar phenomenon with Afrikaans and Flemish speakers. They get very upset when you reflect back some of the details of their language to them. It is as if you have broken the 'code' they are using and thus are suspicious.
I have no idea whether Chinese visitors will change their attitudes. However, I am sure their government, given the money it has put into promoting Mandarin skills in the West, would wish that they were not so dismissive of the efforts of other countries to speak their language and at least be as accommodating as many British are when people speak to us regularly in 'bad' English.
Now, I am constantly meeting Chinese people. I have no idea how many Chinese are currently visiting or working in the UK. The bulk of the ones I run across are students. However, of course, because of the UK have had a colony in Hong Kong, there are people with Chinese heritage, predominantly Cantonese rather than Mandarin speakers and generally thoroughly integrated into British society. I am not discussing Chinese assimilated in the past, but people from mainland China who are in the UK. Now I spent 18 months learning Mandarin.
I was poor at the writing but pretty good at the language to the extent that I could say where I came from, talk about my family, ask directions and order a complex meal. I honed my accent by using CDs and copying dialogue in movies. Thus, I would expect that I would speak Chinese with an English accent and probably sound quite a bit like the Chinese equivalent of those people I speak to regularly from a range of countries, who have a strong accent and make errors. However, every time I try please or thank you or excuse me, I get a blank expression from Chinese visitors as if rather than attempting their language I have gone into Ukrainian or Somali.
I used the common Chinese phrase 'shi bu shi' [pronounced 'shur boo shur'] it is a phrase attached to the end of a sentence to make it a question 'yes or no?'. Mandarin word order does not change, it is subject-verb-object all the time, so you need question suffixes to show you are asking a question rather than through moving the verb around as often happens in English. The quote was relevant to the setting but the Chinese man turned to me and said - 'what is that, something in English?'. He did not recognise it as a basic phrase from his own language.
I know that the Chinese are a proud people who value their culture. I know that they row with the Taiwanese over who speaks and writes 'proper' Chinese. However, I have yet to meet a Chinese person who is willing to put in the effort to comprehend other nationalities speaking their language in the way that English speakers often do on a daily basis. This runs contrary to the schemes to introduce Mandarin to schools and to open up Confucius Centres to promote the teaching of Mandarin.
If the efforts of people who have taken time to learn the language are simply dismissed then there is no incentive to learn let alone develop skills in the language. It seems I will never even reach a workable level in my lifetime. I know there is all this argument about the fact that an outsider can never be fluent, but I am not looking for fluency, I am looking to work at the level many people use English when speaking to me. It may not be perfect, but we can function.
Why does this matter? Well, the Chinese population is only 25% of the global population so they are going to meet a lot of people who speak something else. China has a public relations problem. It is both noted as being one of the only remaining Communist dictatorships yet is also operating as a neo-colonial power particularly in Africa and Central Asia. To be so frosty to those trying to speak the language is to put even more distance between the country and those others it has to deal with.
I do wonder if there is a delight in the exceptionality of the use of any Chinese language in a Western context and that Chinese visitors like the fact that their hosts cannot comprehend what they are saying. It seems that they worry that if they give a centimetre of recognition that someone else even knows a bit of their language, they will have lost that privileged position. It is like the Russian nobility speaking French when the servants were around. I have also noted a similar phenomenon with Afrikaans and Flemish speakers. They get very upset when you reflect back some of the details of their language to them. It is as if you have broken the 'code' they are using and thus are suspicious.
I have no idea whether Chinese visitors will change their attitudes. However, I am sure their government, given the money it has put into promoting Mandarin skills in the West, would wish that they were not so dismissive of the efforts of other countries to speak their language and at least be as accommodating as many British are when people speak to us regularly in 'bad' English.
Friday, 31 July 2015
The Books I Read In July
Non-Fiction
'Dictionary of the Napoleonic Wars' by David Chandler
It might appear strange to read a dictionary right through. However, its vignettes of individual commanders and descriptions of numerous battles plus essays on political and military trends of the time, it is an engaging book. It was first published in 1993 (I read the 1999 edition) but the style of language is of a book thirty or forty years older than that. Effort is made so as not to make all the accounts sound the same. The author's prejudices in favour or against particular commanders is not muted. What is striking is how the wars allowed men from very ordinary backgrounds to rise to the heights, especially in the French Empire. It also highlights the hazards that they faced in terms of wounding or death. Aside from the very partisan descriptions of the commanders, the most serious flaw is in the maps. These have been brought over from Chandler's earlier book, 'The Campaigns of Napoleon' (1973) without modification. Consequently the units indicated and especially the commanders shown on the maps do not correspond with the account of the battles included in this book. As a result they add little to your understanding of the battle and in some cases simply confuse matters, A reasonable book but one which has suffered from reusing too much material with updating it and ensuring it corresponds to being presented in a new book.
Fiction
'The Headline Book of Spy Fiction' edited by Alan Williams
I do not know what it is about spy fiction which encourages anthologies of this kind. I read something similar back in April 2013 - 'The Faber Book of Espionage' by Nigel West (1993): see http://rooksmoor.blogspot.co.uk/2012/04/books-i-read-in-april.html This one is equally as uninspiring. Published in 1992, it covers extracts from novels, some very short, and short stories from 1845 to 1981, though most are from the early to mid 20th century. John Buchan features a great deal as does John Le Carré and Graham Greene. The extracts are grouped into categories to illustrate different facets of spying as covered in fiction. Some of the extracts are very weak, notably from Desmond Bagley's 'The Freedom Trap' (1971) which is an epitome of a pot boiler with a terrible McGuffin and a poor chase over Iceland. The extract from 'Kim' (1900-01) is the wrong one as it covers nothing about Kim's spying activities and simply focuses on his schooling. Overall, despite some effort at diversity the collection shows the lack of variety in spy fiction and that even seventy years on from Buchan's work it still focuses on well-off white men, facing hazards and winning through. This sorely neglects how it was often a genre to question imperial pretensions, not simply of the UK but in part the USA and USSR too.
'Dictionary of the Napoleonic Wars' by David Chandler
It might appear strange to read a dictionary right through. However, its vignettes of individual commanders and descriptions of numerous battles plus essays on political and military trends of the time, it is an engaging book. It was first published in 1993 (I read the 1999 edition) but the style of language is of a book thirty or forty years older than that. Effort is made so as not to make all the accounts sound the same. The author's prejudices in favour or against particular commanders is not muted. What is striking is how the wars allowed men from very ordinary backgrounds to rise to the heights, especially in the French Empire. It also highlights the hazards that they faced in terms of wounding or death. Aside from the very partisan descriptions of the commanders, the most serious flaw is in the maps. These have been brought over from Chandler's earlier book, 'The Campaigns of Napoleon' (1973) without modification. Consequently the units indicated and especially the commanders shown on the maps do not correspond with the account of the battles included in this book. As a result they add little to your understanding of the battle and in some cases simply confuse matters, A reasonable book but one which has suffered from reusing too much material with updating it and ensuring it corresponds to being presented in a new book.
Fiction
'The Headline Book of Spy Fiction' edited by Alan Williams
I do not know what it is about spy fiction which encourages anthologies of this kind. I read something similar back in April 2013 - 'The Faber Book of Espionage' by Nigel West (1993): see http://rooksmoor.blogspot.co.uk/2012/04/books-i-read-in-april.html This one is equally as uninspiring. Published in 1992, it covers extracts from novels, some very short, and short stories from 1845 to 1981, though most are from the early to mid 20th century. John Buchan features a great deal as does John Le Carré and Graham Greene. The extracts are grouped into categories to illustrate different facets of spying as covered in fiction. Some of the extracts are very weak, notably from Desmond Bagley's 'The Freedom Trap' (1971) which is an epitome of a pot boiler with a terrible McGuffin and a poor chase over Iceland. The extract from 'Kim' (1900-01) is the wrong one as it covers nothing about Kim's spying activities and simply focuses on his schooling. Overall, despite some effort at diversity the collection shows the lack of variety in spy fiction and that even seventy years on from Buchan's work it still focuses on well-off white men, facing hazards and winning through. This sorely neglects how it was often a genre to question imperial pretensions, not simply of the UK but in part the USA and USSR too.
Saturday, 18 July 2015
An Atlas of Imaginary Worlds 18: Distorted Maps of the Earth Providing Fantasy Worlds
As I noted back in April, it is surprising what can provide authors or gamers with potential fantasy worlds: http://rooksmoor.blogspot.co.uk/2015/04/an-atlas-of-imaginary-worlds-17.html
The one I am featuring today was actually a map from a pub showing where the wines they sold came from, well, perhaps on an alternate planet, because its resemblance to Earth is only in passing:
I have removed the wine details. However, it shows a pretty different Earth. Much of Europe is compressed, notably France and the Iberian Peninsula. The British Isles have become a peninsula; Africa has shrunk a great deal and the Red Sea is far longer but there is really no Persian Gulf. The Mediterranean is no longer closed meaning from ancient times reaching Asia by sea from Europe would have been common. Arabia is as large as India but Sri Lanka and Madagascar are missing. The Mediterranean is open to the Atlantic and South America is a short distance from Spain, suggesting it would have been discovered sooner. It is smaller and farther North than in our world. North America, in contrast is farther away from Europe; Greenland is smaller. Novaya Zemlya is likely to only be as cold as Nova Scotia. The two Americas are separate, so the 'passage' to China, though narrow, is there, Wildlife on South America developed differently to that of North America, until, in our world 3 million years ago. In this world they remain separate, leading to big differences between the creatures in each.
Australia is even larger than in our world and closer to South-East Asia. Indonesia is reduced to two large islands which would have provided easy stepping stones for people to reach Australia. Possibly it would have been colonised by Indians or Chinese. New Zealand is a single, large island off the coast of Australia and so is likely to have been colonised sooner and its wildlife is likely to have been far closer to that of Australia. Japan is really a single island, farther South in our world. The gap from Asia to North America is greater. The greatest loss is of the entire Continent of Antarctica plus many of the Pacific Islands including most importantly, the Philippines.
Overall, this is a wetter Earth with smaller continents. It is a world in which there would be greater diversity between the animals on different continents. Despite the larger bodies of water, peoples are likely to have moved more easily from continent to continent with South America explored by Europeans in the Ancient or Medieval times. Australasia is likely to have seen waves of migrants down the centuries. The climate is likely to have been wetter and more moderate. The Pacific would be a vast empty ocean probably only crossed between the Americas and Asia in modern times.
Seeing this map reminded me of the map for the tabletop game, now an online game too, 'Warhammer'. It was a distortion of Earth. Now that the game is going to be reborn with a new set-up, it seemed a good time to look at what they have had for the past thirty years or so
Unlike the one above, Antarctica (Southern Chaos Wastes) is huge even compared to our world. Given it reaches so far North some parts of it might be tropical, or at least temperate. North America (The New World) and South America (Lusatia) are more strongly connected and the Galapagos Islands have become a huge archipelago; the Falkland Islands are larger too and there is an island off South America. Once again Europe has shrunk an the Mediterranean is open to the Atlantic. Arabia (Araby) has ended up in West Africa and the Urals stretch into North Africa (South Lands). India (Ind) has withered but Sri Lanka and especially Thailand-Malaya have grown. From there it is only Indonesia is missing and there is a reduced Philippines. Japan (Nippon) is farther South a broader central island with only small islands around it. Britain (Albion) is a single large island, but colder than in our world, more on a par with Iceland on our planet.
The one I am featuring today was actually a map from a pub showing where the wines they sold came from, well, perhaps on an alternate planet, because its resemblance to Earth is only in passing:
I have removed the wine details. However, it shows a pretty different Earth. Much of Europe is compressed, notably France and the Iberian Peninsula. The British Isles have become a peninsula; Africa has shrunk a great deal and the Red Sea is far longer but there is really no Persian Gulf. The Mediterranean is no longer closed meaning from ancient times reaching Asia by sea from Europe would have been common. Arabia is as large as India but Sri Lanka and Madagascar are missing. The Mediterranean is open to the Atlantic and South America is a short distance from Spain, suggesting it would have been discovered sooner. It is smaller and farther North than in our world. North America, in contrast is farther away from Europe; Greenland is smaller. Novaya Zemlya is likely to only be as cold as Nova Scotia. The two Americas are separate, so the 'passage' to China, though narrow, is there, Wildlife on South America developed differently to that of North America, until, in our world 3 million years ago. In this world they remain separate, leading to big differences between the creatures in each.
Australia is even larger than in our world and closer to South-East Asia. Indonesia is reduced to two large islands which would have provided easy stepping stones for people to reach Australia. Possibly it would have been colonised by Indians or Chinese. New Zealand is a single, large island off the coast of Australia and so is likely to have been colonised sooner and its wildlife is likely to have been far closer to that of Australia. Japan is really a single island, farther South in our world. The gap from Asia to North America is greater. The greatest loss is of the entire Continent of Antarctica plus many of the Pacific Islands including most importantly, the Philippines.
Overall, this is a wetter Earth with smaller continents. It is a world in which there would be greater diversity between the animals on different continents. Despite the larger bodies of water, peoples are likely to have moved more easily from continent to continent with South America explored by Europeans in the Ancient or Medieval times. Australasia is likely to have seen waves of migrants down the centuries. The climate is likely to have been wetter and more moderate. The Pacific would be a vast empty ocean probably only crossed between the Americas and Asia in modern times.
Seeing this map reminded me of the map for the tabletop game, now an online game too, 'Warhammer'. It was a distortion of Earth. Now that the game is going to be reborn with a new set-up, it seemed a good time to look at what they have had for the past thirty years or so
Unlike the one above, Antarctica (Southern Chaos Wastes) is huge even compared to our world. Given it reaches so far North some parts of it might be tropical, or at least temperate. North America (The New World) and South America (Lusatia) are more strongly connected and the Galapagos Islands have become a huge archipelago; the Falkland Islands are larger too and there is an island off South America. Once again Europe has shrunk an the Mediterranean is open to the Atlantic. Arabia (Araby) has ended up in West Africa and the Urals stretch into North Africa (South Lands). India (Ind) has withered but Sri Lanka and especially Thailand-Malaya have grown. From there it is only Indonesia is missing and there is a reduced Philippines. Japan (Nippon) is farther South a broader central island with only small islands around it. Britain (Albion) is a single large island, but colder than in our world, more on a par with Iceland on our planet.
There are large islands (Elf Kingdoms) across the Atlantic. In subsequent maps at least one of these is portrayed like the classic views of Atlantis. These islands would have made trans-Atlantic travel far easier, though South America is more remote from Europe. In the game it has been settled by reptile aliens who have a kingdom similar to the Aztecs but with more advanced technology and enslaving humans. The Dark Lands are interesting and seem to equate to Afghanistan-Iran in our world with a gulf and a number of islands. There is a suggestion that the Northern Steppes connect to the New World and Ramalia and the Northern Chaos Wastes provide another connection. Thus, it is possible to circumnavigate the planet overland even if it is through Arctic lands.
This would be a drier planet with more land mass and a smaller Pacific, Atlantic and Indian oceans. Crossing the world by land or sea in pre-modern times would be easier. However, there are likely to be greater swings in temperature between summer and winter for much of the planet. The drier climate might mean large deserts. With the huge mountain range in Eurafasia there might be vast lakes not shown on this map that would moderate the climate in that region. Though for most of the world animals and people could move around overland there are isolated islands on which different plants and animals might have developed. Given how far North the Southern Chaos Wastes stretch it would be expected that they would have diverse plants and animals different from other continents, even setting aside the chaos aspects.
These two examples show that we can simply take the world we know and make it fantastical. In the 'Warhammer' case this has been the basis of a very successful game franchise for three decades.
This would be a drier planet with more land mass and a smaller Pacific, Atlantic and Indian oceans. Crossing the world by land or sea in pre-modern times would be easier. However, there are likely to be greater swings in temperature between summer and winter for much of the planet. The drier climate might mean large deserts. With the huge mountain range in Eurafasia there might be vast lakes not shown on this map that would moderate the climate in that region. Though for most of the world animals and people could move around overland there are isolated islands on which different plants and animals might have developed. Given how far North the Southern Chaos Wastes stretch it would be expected that they would have diverse plants and animals different from other continents, even setting aside the chaos aspects.
These two examples show that we can simply take the world we know and make it fantastical. In the 'Warhammer' case this has been the basis of a very successful game franchise for three decades.
Sunday, 5 July 2015
How One Image Can Suggest An Alternate Reality
The other day I came across an image that I had not seen for thirty years:
It is a cover from the US version of 'Vogue' magazine of April 1918. When I saw it last it was printed on a mirror, in a 'cloakroom' of a large house in a Surrey suburb. I think this one from the 1970s as I remember more pink in it than the image above:
The books were 'An Alien Heat' (1972), 'The Hollow Lands' (1974) 'The End of All Songs' (1976) and then as is typical with Moorcock the setting and characters featured in other books, notably 'Legends from the End of Time' (1976) a collection of short stories; 'The Transformation of Miss Mavis Ming' (1977) and 'Elric at the End of Time' (1981) two short stories featuring Moorcock's most famous fantasy anti-hero turning up in the End of Time milieu. The stories feature a range of bizarre though largely sympathetic decadent characters in a kind of soap opera of various activities. They live a very baroque life with the ability to change any matter at the touch of one of their rings, drawing on the immense power of cities built millenia before. The cover reminds me of the song 'Ride a White Swan' by T.Rex (1970).
The thing is, I was very conscious that it had been produced in April 1918, at a time when the USA had been in the First World War for 12 months. It seemed so wrong that something so decadent could have been produced when such carnage was being witnessed. Aside from that, the portrayal of peacocks so large that they could be ridden on, was clearly fantasy. Thus, the way my brain processed it was to envisage that somehow it had arrived from an alternate reality in which there had been no First World War; the USA or anyway, somewhere using cents, had a decadent society and rideable peacocks did exist.
Then it reminded me of the 'Dancers at the End of Time' series of novels by Michael Moorcock that I read in the 1980s in an omnibus edition; I had a copy of the one shown below, so you can see where that idea might have come from:
The books were 'An Alien Heat' (1972), 'The Hollow Lands' (1974) 'The End of All Songs' (1976) and then as is typical with Moorcock the setting and characters featured in other books, notably 'Legends from the End of Time' (1976) a collection of short stories; 'The Transformation of Miss Mavis Ming' (1977) and 'Elric at the End of Time' (1981) two short stories featuring Moorcock's most famous fantasy anti-hero turning up in the End of Time milieu. The stories feature a range of bizarre though largely sympathetic decadent characters in a kind of soap opera of various activities. They live a very baroque life with the ability to change any matter at the touch of one of their rings, drawing on the immense power of cities built millenia before. The cover reminds me of the song 'Ride a White Swan' by T.Rex (1970).
No-one writes this kind of fiction any more and even, as I noted with Hal Duncan's 'Vellum' while publishers may permit Moorcockian style work to come out, its time is passed and anyway even in homage these days it is laboured when Moorcock was epigrammatic. I have no idea if George Wolfe Plank (1883-1965), the artist who produced the cover ever had any thoughts of alternate realities or whether he simply wanted to produce elegant, fantastical imagery. A 1923 cover of a woman with a household dragon and another one of a woman on a zebra-unicorn suggests certainly a love of the fantastic.
Anyway, my simple idea with this posting was to recall an image which though I imagine it never had that intention, triggered off many thoughts of very different worlds and also in terms of writing, how a single image can generate ideas for a short story if not an entire novel.
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